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Cited by

• 1984The Origins of the Actor Benefit in London28 cited
• 1997Restoration Women Playwrights and the Limits of Professionalism25 cited
• 2006“The Talking Demon”: Liberty and Liberal Ideologies on the 1820s British Stage18 cited
• 2016Caught in the Act: Photography on the Victorian Stage16 cited
• 1990John Rich's Covent Garden Account Books for 1735–369 cited
• 2003The Economics of Theatrical Dance in Eighteenth-Century London8 cited
• 2005Melodramatic Possessions: The Flying Dutchman, South Africa, and the Imperial Stage, ca. 18306 cited
• 2008“Real, Beautiful Women”: Actresses and The Rival Queens6 cited
• 2006Cowley’s Bold Stroke for Comedy4 cited
• 1978The Bandit Ballerina: Some Sources of Jules Perrot's Catarina4 cited
• 1990Thomas Shadwell's "The Libertine": a forgotten Restoration Don Juan Play3 cited
• 1997Dramatic Disappearances: Mary Elizabeth Braddon and the Staging of Theatrical Character3 cited
• 2011'Scandalous Satins': an investigation of Lady Teazle's dress from Herbert Beerbohm Tree's 1909 and 1912 productions of The School for Scandal1 cited