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Drawing as Suspended Narrative
7 references·1 citing·25 second hop
Drawing as Suspended Narrative (1971)Drawing as Suspended NarrativeOn Mental Images and Their Pictorial Representation (1970)On Mental Images and Their Pi…Drawings as Structures and Non-Structures (1968)Drawings as Structures and No…On human communication (1966)On human communicationArt in 'The Epoch of the Great Spiritual': Occult Elements in the Early Theory of Abstract Painting (1966)Art in 'The Epoch of the Grea…The Uses of Works of Art (1963)The Uses of Works of ArtA Documentary History of Art (1961)A Documentary History of ArtThe Banquet Years. (1960)The Banquet Years.Unified Drawing through the Use of Hybrid Pictorial Elements and Grids (1972)Unified Drawing through the U…Ancilla to the Pre-Socratic Philosophers. A Complete Translation of the Fragments in Diels' Fragmente der Vorsokratiker (1949)Ancilla to the Pre-Socratic Philosophers. (1950)Rheology and Painting (1969)'The Route of Friendship': Sculpture (1970)Social and Cultural Dynamics (1959)History of Art (1962)Beyond Modern Sculpture (1969)The Psychology of Intelligence (1947)L'image mentale chez l'enfant. (1966)On the Relevance of Piaget's Theory to the Visual Arts (1971)Transforming Imagery into Art: A Study of the Life and Work of Georgia O’Keeffe (1990)Similarities and Contrasts in Artistic and Scientific Creation-Discovery (2006)Cognition, Construction of Knowledge, and Teaching (1998)Toward a mechanistic psychology of dialogue (2004)Media, Tasks, and Communication Processes: A Theory of Media Synchronicity1 (2008)Evolution and Cognition (2001)Triple Entendre: Furniture Music, Muzak, Muzak-Plus (2013)Epilogue: the moiré effect and the art of assemblage (2017)Multimodal writing: the avant-garde assemblage and other minimal texts (2020)Synesthetic Perception: Alexander Scriabin's Color Hearing (1985)8. Ellis H. Minns and Nikodim Kondakov’s The Russian Icon (1927) (2017)Ellis H. Minns and Nikodim Kondakov’s The Russian Icon (1927) (2017)The Image of the Barbarian in Medieval Europe (1971)Diagrammatic Reasoning and Modelling in the Imagination: The Secret Weapons of the Scientific Revolution (2000)Cultural inclusion, exclusion and the formative roles of museums (2008)
this work references cited by second hop

References

  • 1966On human communication605 cited
  • 1961A Documentary History of Art47 cited
  • 1966Art in 'The Epoch of the Great Spiritual': Occult Elements in the Early Theory of Abstract Painting44 cited
  • 1960The Banquet Years.34 cited
  • 1968Drawings as Structures and Non-Structures21 cited
  • 1970On Mental Images and Their Pictorial Representation13 cited
  • 1963The Uses of Works of Art6 cited

Cited by

  • 1972Unified Drawing through the Use of Hybrid Pictorial Elements and Grids5 cited

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