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Towards a Postpositivist Theatre History
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Towards a Postpositivist Theatre History (1985)Towards a Postpositivist Theatre HistoryMapping Irish Theatre: Theories of Space and Place (2013)Mapping Irish Theatre: Theori…The operatic event: opera houses and opera audiences (2012)The operatic event: opera hou…Introduction: opera studies today (2012)Introduction: opera studies t…A Transnational Community of Scholars: The Theatre Historiography Working Group in IFTR/FIRT 1 (2010)A Transnational Community of …Theatre History, 1660–1800: Aims, Materials, Methodology (2007)Theatre History, 1660–1800: A…Constructed Narratives: Situating Theatre for Young Audiences in the United States (2000)Constructed Narratives: Situa…On the light fantastic toe: Dance scholarship and academic fashion (1995)On the light fantastic toe: D…Realizing a Postpositivist Theatre History (1994)Realizing a Postpositivist Th…Cultural Anthropology and Theatre Historiography: Notes on a Methodological Rapprochement (1994)Cultural Anthropology and The…The Political Unconscious (1982)The Content of the Form: Narrative Discourse and Historical Representation. (1988)Historiography and the Theatrical Event: A Primer with Twelve Cruxes (1991)Without Distinction of Age: The Pivotal Roles of Child Actors and Their Spectators in Nineteenth-Century Theatre (2012)Theater arts, global education, and policy; or, what Chance the Rapper taught us about arts education (2019)Diaghilev's Ballets Russes (1990)Diaghilev's Ballets Russes, byLynn Garafola. New York, Oxford: Oxford University Press, 1989. xviii + 524 pp., illustrations. $29.95. (1990)Dance as Text: Ideologies of the Baroque Body (1993)Dialogue: Dance History—Current Methodologies (1996)The “congealed residues” of dance history: A response to Richard Ralph's “dance scholarship and academic fashion”—One path to a pre‐determined enlightenment? (1997)The Interpretation of Cultures: Selected Essays. (1975)Writing Culture: The Poetics and Politics of Ethnography (1986)The Predicament of Culture (1988)The Sarah Siddons Audio Files: Romanticism and the Lost Voice (2011)A Cultural History of Theatre: A Prospectus (2015)Melodramatic Formations (1992)Melodramatic Formations: American Theatre and Society, 1820-1870 (1992)Being and Time (1927)The Postmodern Condition: A Report on Knowledge (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Theatre in Market Economies (2021)Discipline and Punish: The Birth of the Prison (1978)Discipline and Punish: The Birth of the Prison. (1978)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Opera and Materiality (2014)Introduction (2021)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Nations and nationalism since 1780 programme, myth, reality (1995)Fake Streams, Listening Bots, and Click Farms: Counterfeiting Attention in the Streaming Music Economy (2020)Democratizing opera. Accessibility to opera in the digital age among Swedish-speaking Finns (2022)Philological Quarterly (1922)Eyewitnessing: the uses of images as historical evidence (2002)Will in the world: how Shakespeare became Shakespeare (2005)
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  • 2013Mapping Irish Theatre: Theories of Space and Place25 cited
  • 2012The operatic event: opera houses and opera audiences13 cited
  • 2000Constructed Narratives: Situating Theatre for Young Audiences in the United States12 cited
  • 2012Introduction: opera studies today11 cited
  • 1995On the light fantastic toe: Dance scholarship and academic fashion11 cited
  • 1994Cultural Anthropology and Theatre Historiography: Notes on a Methodological Rapprochement8 cited
  • 2007Theatre History, 1660–1800: Aims, Materials, Methodology6 cited
  • 1994Realizing a Postpositivist Theatre History5 cited
  • 2010A Transnational Community of Scholars: The Theatre Historiography Working Group in IFTR/FIRT 14 cited

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