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This article examines how domestic violence has been depicted in mainstream English-language cinema. I offer readings of Sleeping with the Enemy, Tina: What's Love Got to Do With It, Once Were Warriors, Nil By Mouth and Enough that examine both common and specific representational strategies. My analysis is grounded in theoretical approaches and heuristic tools more commonly found in feminist criticism than in film studies.
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Stored only when both papers are in the corpus — 20 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.