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Origin of the Exotic Blue Color of Copper-Containing Historical Pigments
5 references·7 citing·37 second hop
Origin of the Exotic Blue Color of Copper-Containing Historical Pigments (2014)Origin of the Exotic Blue Color of Copper…Nanoscience of an Ancient Pigment (2012)Nanoscience of an Ancient Pig…The Invention of Blue and Purple Pigments in Ancient Times (2007)The Invention of Blue and Pur…The invention of blue and purple pigments in ancient times (2006)The invention of blue and pur…Chemistry in Ancient Times: The Development of Blue and Purple Pigments (2002)Chemistry in Ancient Times: T…Blue: The History of a Color (2001)Blue: The History of a ColorEgyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses (2023)Egyptian blue, Chinese blue, …The chemistry of making color in art (2021)The chemistry of making color…Synchrotron Radiation-Based Micro-XANES and Micro-XRF Study of Unsuccessfully Produced Egyptian Blue from the Late Hellenistic Production Site of Kos (Dodecanese, Greece) (2021)Synchrotron Radiation-Based M…Late production of Egyptian blue: synthesis from brass and its characteristics (2019)Late production of Egyptian b…Non-invasive characterization of colorants by portable diffuse reflectance infrared Fourier transform (DRIFT) spectroscopy and chemometrics (2017)Non-invasive characterization…Origin of the Anomalous Color of Egyptian and Han Blue Historical Pigments: Going beyond the Complex Approximation in Ligand Field Theory (2015)Origin of the Anomalous Color…Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations (2015)Historic Mineral Pigments: Co…Science and Archaeology (1972)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigment Compendium: A Dictionary of Historical Pigments (2007)Exfoliation of Egyptian Blue and Han Blue, Two Alkali Earth Copper Silicate-based Pigments (2014)Micronised Egyptian blue pigment: A novel near-infrared luminescent fingerprint dusting powder (2016)NIR−NIR fluorescence: A new genre of fingermark visualisation techniques (2016)Raman microscopy in archaeological science (2004)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Science and Civilization in China (1955)Maya Blue Paint: An Ancient Nanostructured Material (1996)Influence of Taoism on the invention of the purple pigment used on the Qin terracotta warriors (2007)Application of forensic photography for the detection and mapping of Egyptian blue and madder lake in Hellenistic polychrome terracottas based on their photophysical properties (2016)Infrared Spectroscopy in Conservation Science (2000)Reflection infrared spectroscopy for the non-invasive in situ study of artists’ pigments (2011)Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Capabilities and limitations of handheld Diffuse Reflectance Infrared Fourier Transform Spectroscopy (DRIFTS) for the analysis of colourants and binders in 20th-century reverse paintings on glass (2018)Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies (2018)Leonardo's Donna Nuda unveiled (2019)Ten Books on Architecture (1956)Natron as a flux in the early vitreous materials industry: sources, beginnings and reasons for decline (2005)Egyptian Blue Pellets from the First Century BCE Workshop of Kos (Greece): Microanalytical Investigation by Optical Microscopy, Scanning Electron Microscopy-X-ray Energy Dispersive Spectroscopy and Micro-Raman Spectroscopy (2020)A Multi-Analytical Approach for the Characterisation of Pigments from an Egyptian Sarcophagus Cover of the Late Dynastic Period: A Case Study (2023)Making and working Egyptian blue – a review of the archaeological evidence (2023)Ancient Egyptian materials and technology (2000)The Lycurgus Cup — A Roman nanotechnology (2007)CERAMIC PRODUCTION, PROVENANCE AND USE—A REVIEW* (2008)A Combined Non-Destructive and Micro-Destructive Approach to Solving the Forensic Problems in the Field of Cultural Heritage: Two Case Studies (2021)Ancient Egyptian Materials and Industries (1963)The Etymologies of Isidore of Seville (2006)Advanced X-ray techniques to study the alteration of pigments in paintings (2025)Singing the Russian Blues: An Argument for Culturally Basic Color Terms (2004)The Memory of Bones (2006)Fertile Green (2012)Shedding Light on Cuprorivaite, the Egyptian Blue Pigment: Joining Neutrons and Photons for a Computational Spectroscopy Study (2023)Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing (2009)Pigments—copper-based greens and blues (2021)
this work references cited by second hop

References

  • 2006The invention of blue and purple pigments in ancient times255 cited
  • 2007The Invention of Blue and Purple Pigments in Ancient Times145 cited
  • 2012Nanoscience of an Ancient Pigment99 cited
  • 2001Blue: The History of a Color96 cited
  • 2002Chemistry in Ancient Times: The Development of Blue and Purple Pigments76 cited

Cited by

  • 2015Origin of the Anomalous Color of Egyptian and Han Blue Historical Pigments: Going beyond the Complex Approximation in Ligand Field Theory33 cited
  • 2017Non-invasive characterization of colorants by portable diffuse reflectance infrared Fourier transform (DRIFT) spectroscopy and chemometrics32 cited
  • 2023Egyptian blue, Chinese blue, and related two-dimensional silicates: from antiquity to future technologies. Part A: general properties and historical uses31 cited
  • 2019Late production of Egyptian blue: synthesis from brass and its characteristics30 cited
  • 2021The chemistry of making color in art27 cited
  • 2015Historic Mineral Pigments: Colorful Benchmarks of Ancient Civilizations25 cited
  • 2021Synchrotron Radiation-Based Micro-XANES and Micro-XRF Study of Unsuccessfully Produced Egyptian Blue from the Late Hellenistic Production Site of Kos (Dodecanese, Greece)14 cited

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