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In the career of the once famous and now all but forgotten Oxford philologist F. Max Muller we may trace not only the changed assumptions about language brought about in the nineteenth century by comparative or scientific philology but also some of the subversive consequences of those assumptions for Victorian ideas of literature and culture. Muller succeeded with his audiences because he was able to reassure them that in the new linguistic order language remained unchanged in its power to guarantee human identity and value. His highly idiosyncratic and unstable blending of Romantic idealism, linguistics, religious humanism, and pulpit oratory, however, ultimately assured his failure as a linguistic scientist.
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