SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
"Helpless and Unfriended": Nineteenth-Century Domestic Melodrama
0 references·16 citing·47 second hop
"Helpless and Unfriended": Nineteenth-Century Domestic Melodrama (1981)"Helpless and Unfriended": Nineteenth-Cen…“Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama (2018)“Something Else Besides a Mot…The Importance of Cultural Proximity in the Success of Turkish Dramas in Qatar (2017)The Importance of Cultural Pr…Mapping Melodrama: Global Theatrical Circuits, Parsi Theater, and the Rise of the Social (2016)Mapping Melodrama: Global The…Melodramatic imperial writing: from the Sepoy Rebellion to Cecil Rhodes (2014)Melodramatic imperial writing…Migrant melodrama and Elvira Arellano (2012)Migrant melodrama and Elvira …Melodrama (2011)MelodramaRadical Spaces: Venues of popular politics in London, 1790–c. 1845 (2010)Radical Spaces: Venues of pop…The Seduction Narrative in Britain, 1747–1800 (2009)The Seduction Narrative in Br…Refugee Theatre: Melodrama and Modernity's Loss (2009)Refugee Theatre: Melodrama an…Melodrama and its Criticism: An Essay in Memory of Sally Ledger (2008)Melodrama and its Criticism: …The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity (2007)The Subject of Money: Late-Vi…Edge of seventeen: melodramatic coming‐out in new queer adolescence films (2004)Edge of seventeen: melodramat…Chartist Aesthetics in the Mid Nineteenth Century: Ernest Jones, a Novelist of the People (2002)Chartist Aesthetics in the Mi…Blood on the Tracks: Sensation Drama, the Railway, and the Dark Face of Modernity (1998)Blood on the Tracks: Sensatio…Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song (1997)Home Sweet Home? The ‘culture…The Rhetoric of Chartist Domesticity: Gender, Language, and Class in the 1830s and 1840s (1992)The Rhetoric of Chartist Dome…The History of Sexuality (1976)The Politics and Poetics of Transgression (1988)Rabelais and his world (2020)Reading the Romance: Women, Patriarchy, and Popular Literature. (1985)Disidentifications: Queers Of Color And The Performance Of Politics (1999)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)Constructing the Model Immigrant (2013)Discipline and Punish: The Birth of the Prison. (1978)Discipline and Punish: The Birth of the Prison. (1996)“I’m Just Trying to Find my Way Like Most Kids”: Bisexuality, Adolescence and the Drama of One Tree Hill (2009)Representing Bisexuality on Television: The Case for Intersectional Hybrids (2010)Bodies That Matter (2011)Queer generations: Theorizing a concept (2019)CULTURE AND SOCIETY (1959)English Culture and the Decline of the Industrial Spirit, 1850-1980 (1982)The Hanlon Brothers: from daredevil acrobatics to spectacle pantomime, 1833-1931 (2010)Sensation Theater (2011)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)Melodrama and modernity: early sensational cinema and its contexts (2001)Illegitimate Theatre in London, 1770-1840 (2004)The melodrama of being a child: NGO representations of poverty (2013)Ethnographic Imagination (2014)Home is where the heart is: studies in melodrama and the woman's film (1988)The Protestant Ethic and the Spirit of Capitalism (2005)Nation and Narration (2013)Victorian Melodrama (2015)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess (1979)New readings in theatre history (2004)27. Tales of Sound and Fury: Observations on the Family Melodrama (2012)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)The Making of the English Working Class (1964)The Making of the English Working Class. (1966)The poverty of protest: Gareth Stedman Jones and the politics of language — a reply∗ (1993)Who's afraid of the ‘linguistic turn'? The politics of social history and its discontents∗ (1994)The nineteenth‐century gentleman leader revisited∗ (1997)The Great Transformation (2002)Story and Discourse: Narrative Structure in Fiction and Film (1979)The Promise of Happiness (2010)The Location of Culture (2012)Melodrama and Class (2018)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (1990)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Rethinking the Public Sphere: A Contribution to the Critique of Actually Existing Democracy (2014)The Geographies of Protest and Public Space in Mid-Nineteenth-Century London: The Hyde Park Railings Affair (2019)Entre Amor y Marte. El carro triunfal durante los reinados de Carlos IV y Fernando VII (2020)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2009Refugee Theatre: Melodrama and Modernity's Loss72 cited
  • 1992The Rhetoric of Chartist Domesticity: Gender, Language, and Class in the 1830s and 1840s57 cited
  • 2010Radical Spaces: Venues of popular politics in London, 1790–c. 184543 cited
  • 2009The Seduction Narrative in Britain, 1747–180043 cited
  • 2004Edge of seventeen: melodramatic coming‐out in new queer adolescence films41 cited
  • 1998Blood on the Tracks: Sensation Drama, the Railway, and the Dark Face of Modernity40 cited
  • 2012Migrant melodrama and Elvira Arellano32 cited
  • 2014Melodramatic imperial writing: from the Sepoy Rebellion to Cecil Rhodes32 cited
  • 2008Melodrama and its Criticism: An Essay in Memory of Sally Ledger30 cited
  • 2007The Subject of Money: Late-Victorian Melodrama's Crisis of Masculinity28 cited
  • 2017The Importance of Cultural Proximity in the Success of Turkish Dramas in Qatar24 cited
  • 2011Melodrama23 cited
  • 2002Chartist Aesthetics in the Mid Nineteenth Century: Ernest Jones, a Novelist of the People23 cited
  • 1997Home Sweet Home? The ‘culture of exile’ in mid-Victorian popular song19 cited
  • 2016

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

Mapping Melodrama: Global Theatrical Circuits, Parsi Theater, and the Rise of the Social
8 cited
  • 2018“Something Else Besides a Mother”: Stella Dallas and the Maternal Melodrama8 cited