SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’
16 references·0 citing·34 second hop
‘Don't let me go! Hold me down!’: inspiration, voice and image in Kate Bush's ‘Hounds of Love’ (2015)‘Don't let me go! Hold me down!’: inspira…Popular Music: The Key Concepts (2017)Popular Music: The Key Concep…Song Means: Analysing and Interpreting Recorded Popular Song (2016)Song Means: Analysing and Int…The Old Ways: A Journey on Foot (2012)The Old Ways: A Journey on Fo…Song means: analysing and interpreting recorded popular song (2012)Song means: analysing and int…The British Pop Dandy: Masculinity, Popular Music and Culture (2011)The British Pop Dandy: Mascul…The rest is noise: listening to the twentieth century (2008)The rest is noise: listening …Gender in the music industry: rock, discourse, and girl power (2008)Gender in the music industry:…Gender in the Music Industry: Rock, Discourse and Girl Power (2007)Gender in the Music Industry:…White Bicycles: Making Music in the 1960s (2006)White Bicycles: Making Music …Music, Space and Place: Popular Music and Cultural Identity (2005)Music, Space and Place: Popul…Percussion: Drumming, Beating, Striking (2002)Percussion: Drumming, Beating…Local scenes and dangerous crossroads: punk and theories of cultural hybridity (2002)Local scenes and dangerous cr…Authenticity as authentication (2002)Authenticity as authenticationWestern music and its others : difference, representation, and appropriation in music (2000)Western music and its others …Rocking the State: Rock Music and Politics in Eastern Europe and Russia (1995)Rocking the State: Rock Music…Shakespeare and the Question of Theory. (1986)Shakespeare and the Question …Analysing popular music: theory, method and practice (1982)Formal Functions of Metric Dissonance in Rock Music (2014)A Platonic Model of Funky Rhythms (2016)Text-linguistic analysis of performed language: revisiting and re-modeling Koch and Oesterreicher (2021)Studying Popular Music (1990)Running with the devil: power, gender, and madness in heavy metal music (1993)Club cultures: music, media and subcultural capital (1996)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Femvertising or femwashing? Women's perceptions of authenticity (2022)Modernism and Popular Music (2011)The Cambridge History of Modernism (2017)Class, Control, and Classical Music (2019)Regions and place: music, identity and place (2006)Making Friends with Jarvis Cocker: Music Culture in the Context of Web 2.0 (2008)The role of music in ethnic identity formation in diaspora: a research review (2016)Sex and the Spectacle of Music Videos: An Examination of the Portrayal of Race and Sexuality in Music Videos (2010)Grunge, Riot Grrrl and the Forgetting of Women in Popular Culture (2011)Voice, place and genre in popular song performance1 (2011)The Work of Gender in the Discourse of Discovery (1991)“A word, sweet Lucrece” (2016)Shakespeare and Popular Culture (2019)Understanding Performance Expression in Popular Music Recordings (2014)Form as Process: The Buildup Introduction in Popular Music (2015)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Performing Gender: A Content Analysis of Gender Display in Music Videos (2010)Music (as) Labour: Professional Musicianship, Affective Labour and Gender in Socialist Yugoslavia (2015)The Cambridge History of Music Criticism (2019)Music and the Global Order (2004)Subcultures, Scenes or Tribes? None of the Above (2005)Transnational Migration Studies: Past Developments and Future Trends (2007)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)Prince, Miles, and Maceo: Horns, Masculinity, and the Anxiety of Influence (2013)The Invention of Martial Arts (2020)
this work references cited by second hop

References

  • 2008The rest is noise: listening to the twentieth century561 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2002Authenticity as authentication485 cited
  • 1986Shakespeare and the Question of Theory.331 cited
  • 2008Gender in the music industry: rock, discourse, and girl power218 cited
  • 2005Music, Space and Place: Popular Music and Cultural Identity215 cited
  • 2012Song means: analysing and interpreting recorded popular song209 cited
  • 2017Popular Music: The Key Concepts190 cited
  • 2016Song Means: Analysing and Interpreting Recorded Popular Song159 cited
  • 2002Percussion: Drumming, Beating, Striking121 cited
  • 2007Gender in the Music Industry: Rock, Discourse and Girl Power113 cited
  • 1995Rocking the State: Rock Music and Politics in Eastern Europe and Russia104 cited
  • 2002Local scenes and dangerous crossroads: punk and theories of cultural hybridity101 cited
  • 2011The British Pop Dandy: Masculinity, Popular Music and Culture100 cited
  • 2012The Old Ways: A Journey on Foot99 cited
  • 2006White Bicycles: Making Music in the 1960s

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

95 cited

Cited by

No citing works inside the corpus for this window.