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The Musical Faces of Pirate Camp in Hollywood (Part I)
5 references·0 citing·12 second hop
The Musical Faces of Pirate Camp in Hollywood (Part I) (2014)The Musical Faces of Pirate Camp in Holly…Performance, Authenticity, and the Reflexive Idealism of the American Musical (2012)Performance, Authenticity, an…"Selbst dann bin ich die Welt": On the Subjective-Musical Basis of Wagner's Gesamtkunstwelt (2005)"Selbst dann bin ich die Welt…Hollywood musicals, the film reader (2002)Hollywood musicals, the film …Wagner Nights (1994)Wagner NightsTurquerie and Eighteenth-Century Music (1974)Turquerie and Eighteenth-Cent…Against Interpretation and Other Essays (1966)Metahistory: The Historical Imagination in Nineteenth-Century Europe (1974)The Act of Reading: A Theory of Aesthetic Response (1979)World Music in Television Ads (2000)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Making Light Haydn, Musical Camp, and the Long Shadow of German Idealism (2018)Art music from 1800 to 1860 (1998)The Cambridge History of American Theatre (1999)The Poetics of National and Racial Identity in Nineteenth-Century American Literature (2003)Narrative and spectacle in the Hollywood musical: contrasting the choreography of Busby Berkeley and Gene Kelly (2007)City of Women: Busby Berkeley, Architecture, and Urban Space (2010)Introduction: Gender, Sexuality, and the Soundtrack (2012)
this work references cited by second hop

References

  • 2002Hollywood musicals, the film reader135 cited
  • 1994Wagner Nights113 cited
  • 1974Turquerie and Eighteenth-Century Music53 cited
  • 2012Performance, Authenticity, and the Reflexive Idealism of the American Musical5 cited
  • 2005"Selbst dann bin ich die Welt": On the Subjective-Musical Basis of Wagner's Gesamtkunstwelt2 cited

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