SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Veins of Resemblance: Photography and Eugenics
0 references·16 citing·42 second hop
Veins of Resemblance: Photography and Eugenics (1984)Veins of Resemblance: Photography and Eug…Anthropometric portraiture and Victorian anthropology: Situating Francis Galton’s photographic work in the late 1870s (2015)Anthropometric portraiture an…Naked Truths: Bodies, Knowledge, and the Erotics of Colonial Power (2013)Naked Truths: Bodies, Knowled…The politics of participation: Francis Galton's Anthropometric Laboratory and the making of civic selves (2011)The politics of participation…White Women, Race Matters (2010)White Women, Race MattersUnfixing the photographic image: Photography, indexicality, fidelity and normativity (2008)Unfixing the photographic ima…The Role of the Photograph in the Application of Forensic Anthropology and the Interpretation of Clandestine Scenes of Crime (2008)The Role of the Photograph in…Chinese Exclusion, Photography, and the Development of U.S. Immigration Policy (2006)Chinese Exclusion, Photograph…Racialising the Virile Body: Eadweard Muybridge's Locomotion Studies 1883-1887 (2005)Racialising the Virile Body: …Material beings: Objecthood and ethnographic photographs (2002)Material beings: Objecthood a…Photography : a means of surveillance ? Judicial photography, 1850 to 1900 (2001)Photography : a means of surv…The Cosmopolitanism of Commerce and the Allure of Difference (1998)The Cosmopolitanism of Commer…Photography and Anthropological intention in Nineteenth Century Britain (1998)Photography and Anthropologic…Men's Work? Masculinity and Modernism (1992)Men's Work? Masculinity and M…CRIMINAL ANTHROPOLOGY IN THE UNITED STATES* (1992)CRIMINAL ANTHROPOLOGY IN THE …The Quick and the Dead: Images, Time & Truth (1990)The Quick and the Dead: Image…The Machine's Dialogue (1990)The Machine's DialogueThe Body and the Archive (1986)The Burden of Representation: Essays on Photographies and Histories. (1989)Anthropological Papers of the American Museum of Natural History (2007)Anthropology and the Racial Politics of Culture (2010)Anthropology and the Racial Politics of Culture (2010)Anthropology and the racial politics of culture (2011)Strangers From A Different Shore: A History of Asian Americans. (1990)Camera Lucida: Reflections on Photography (2001)Impossible subjects: illegal aliens and the making of modern America (2004)“Verily the Road was Built with Chinaman’s Bones”: An Archaeology of Chinese Line Camps in Montana (2012)Classifying the Cartozians: rethinking the politics of visibility alongside Ottoman subjecthood and American citizenship (2022)The Rise of Professionalism (1977)The System of Professions (1988)Constructing the Subject (1990)The Taming of Chance (1990)Techniques of the observer: on vision and modernity in the nineteenth century (1991)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)The Social Life of Things (1986)The visual image as discussion point: increasing validity in boundary crossing research (2009)Thinking Critically About Photovoice (2018)Deceitful Media (2021)The object stares back: on the nature of seeing (1996)Picturing empire: photography and the visualization of the British Empire (1998)Broken Circles: Fragmenting Indigenous Families, 1800-2000. (2001)The Lumumba Generation (2021)Hereditary Genius: An Inquiry into its Laws and Consequences (1914)Raw histories: photographs, anthropology and museums (2002)The Body and the Archive * (2017)Marxism and the philosophy of language (1973)The Traffic in Photographs (1981)The burden of representation (1988)The photographic portrait: a means to surveillance and subversion (2018)Visual Pleasure and Narrative Cinema (1975)Discipline and Punish: The Birth of the Prison. (1978)Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)“What Group?” Studying Whites and Whiteness in the Era of “Color-Blindness” (2004)Diversity in Everyday Discourse: The Cultural Ambiguities and Consequences of “Happy Talk” (2007)Conceptualizing color-evasiveness: using dis/ability critical race theory to expand a color-blind racial ideology in education and society (2016)Trends in police research: a cross‐sectional analysis of the 2006 literature (2009)Surveillance history and the history of new media: An evidential paradigm (2011)Crime Scene Photography in England, 1895–1960 (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2010White Women, Race Matters256 cited
  • 2002Material beings: Objecthood and ethnographic photographs166 cited
  • 1992CRIMINAL ANTHROPOLOGY IN THE UNITED STATES*123 cited
  • 2001Photography : a means of surveillance ? Judicial photography, 1850 to 190049 cited
  • 2005Racialising the Virile Body: Eadweard Muybridge's Locomotion Studies 1883-188748 cited
  • 2013Naked Truths: Bodies, Knowledge, and the Erotics of Colonial Power45 cited
  • 2011The politics of participation: Francis Galton's Anthropometric Laboratory and the making of civic selves43 cited
  • 2006Chinese Exclusion, Photography, and the Development of U.S. Immigration Policy30 cited
  • 1990The Machine's Dialogue27 cited
  • 2015Anthropometric portraiture and Victorian anthropology: Situating Francis Galton’s photographic work in the late 1870s26 cited
  • 1998The Cosmopolitanism of Commerce and the Allure of Difference22 cited
  • 1992Men's Work? Masculinity and Modernism19 cited
  • 2008Unfixing the photographic image: Photography, indexicality, fidelity and normativity14 cited
  • 2008The Role of the Photograph in the Application of Forensic Anthropology and the Interpretation of Clandestine Scenes of Crime

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

13 cited
  • 1998Photography and Anthropological intention in Nineteenth Century Britain9 cited
  • 1990The Quick and the Dead: Images, Time & Truth8 cited