Medieval Ideas of Apocalyptic Mission and the Early Franciscans in Mexico

Abstract

On June 18, 1539, at Tlaxcala, New Spain, Indians recently converted to Christianity performed a pageant written and directed by the Franciscan missionaries. The play titled “The Conquest of Jerusalem” featured the final siege of the Holy City led by combined armies from Spain and New Spain aided by forces from France and Hungary. The drama unfolds with the army from New Spain, protected by angels and St. Hippolytus, showing the most valor. Huddled to one side of the battlefield are the Pope and his court offering prayers for a Christian victory. After several attacks, each of which ends in a miracle saving the Christian armies, the Moslems capitulate and convert to the true faith. In the final scene, the Pope causes all the new converts to be baptized after which the Sultan and his soldiers bow before Charles V and proclaim him to be “God's Captain” for all the earth. The pageant commemorated the Truce of Nice concluded on June 17, 1538, between Charles V and Francis I at the urging and coordination of Pope Paul III who wanted to free Charles V to attack the Turks and capture Jerusalem. Celebrating the Truce of Nice was a natural choice for the friars because it reflected commonly held theories of apocalypticism. The pageant exhibited salient themes of the apocalyptic conversion of non-believers and infidels, the recapture of Jerusalem, and the recognition of a “last world ruler.” Toribio de Benavente (Motolinía), who recorded the pageant, prefaced the drama by praying that this prophesied victory would soon happen and he assigned an unprecedented role to the peoples of the New World in the victory.

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