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Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image
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Fassbinder and Lacan: A Reconsideration of Gaze, Look, and Image (1989)Fassbinder and Lacan: A Reconsideration o…The Practice of Love (2023)The Practice of LoveWomen as Subject and Object of the Gaze in Tragedy (2013)Women as Subject and Object o…Knowledge work and practices of seeing: Epistemologies of the eye, gaze, and professional vision (2010)Knowledge work and practices …Tracking the Vampire (2009)Tracking the VampireThe Commitment to Look (2005)The Commitment to LookAddressing the sublime: space, mass representation, and the unpresentable (2004)Addressing the sublime: space…"Sorry for Having to Make You Suffer": Body, Spectator, and the Gaze in the Performances of Yves Klein, Gina Pane, and Orlan (2002)"Sorry for Having to Make You…Reflections on a Queer Screen (1993)Reflections on a Queer ScreenWhite Skin, Brown Masks: The Double Mimesis, or With Lawrence in Arabia (1989)White Skin, Brown Masks: The …The Principles of Psychology (1891)The Strength of Weak Ties (1973)Laboratory Life: The Construction of Scientific Facts (1986)Academic knowledge creation as a spatio-temporal process : the case of international research groups in Finland (2011)Seeing as accountable action: The interactional accomplishment of sensorial work (2019)Learning to See: How Scientists Develop Professional Vision and Decomposition Expertise (2025)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Human Condition (1998)Looking in Wonder: Prenatal Sublimity and the Commonplace “Life” (2008)Entertaining our way to engagement? Climate change films and sustainable development values (2014)Between Live Performance and Mediated Narrative (2018)Lenin and Philosophy and Other Essays (1971)Discipline and Punish: The Birth of the Prison. (1978)The Four Fundamental Concepts of Psycho-Analysis (2018)Bodies that Matter: on the Discursive Limits of 'Sex' (1994)Excitable Speech: A Politics of the Performative (1997)A Critique of Postcolonial Reason (1999)The body in pain (1985)Sexual visions: images of gender in science and medicine between the eighteenth and twentieth centuries (1990)Body art/performing the subject (1998)Tracking the Vampire (1991)Right On, Girlfriend! (1992)The Anarchy of the Imagination (1992)Responsibilities of a Gay Film Critic (1995)There’s Something Queer Here (1995)Queer figurations in the media: Critical reflections on the Michael Jackson sex scandal (1998)The Fantastic: A Structural Approach to a Literary Genre (1976)Film and the Masquerade: Theorising the Female Spectator (1982)Heterologies: Discourse on the Other (1987)Seduced and abandoned: Lesbian vampires on screen 1968–74 (2012)Will the Real Robert Neville Please, Come Out? Vampirism, the Ethics of Queer Monstrosity, and Capitalism in Richard Matheson'sI Am Legend? (2013)Yahweh as Maternal Vampire in Second Isaiah: Reading from Violence to Fluid Possibility with Luce Irigaray (2017)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)The History of Sexuality (1976)Sister Outsider: Essays and Speeches (1984)Group psychology and the analysis of the ego. (1922)Of Mimicry and Man: The Ambivalence of Colonial Discourse (1984)Orientalist Desire, Desire for the Orient (1994)Who Is That Masked Woman? or, The Role of Gender in Fanon'sBlack Skin, White Masks (1995)The White Man’s Muscles (1997)
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  • 1993Reflections on a Queer Screen79 cited
  • 1989White Skin, Brown Masks: The Double Mimesis, or With Lawrence in Arabia39 cited
  • 2010Knowledge work and practices of seeing: Epistemologies of the eye, gaze, and professional vision37 cited
  • 2023The Practice of Love27 cited
  • 2009Tracking the Vampire26 cited
  • 2004Addressing the sublime: space, mass representation, and the unpresentable25 cited
  • 2002"Sorry for Having to Make You Suffer": Body, Spectator, and the Gaze in the Performances of Yves Klein, Gina Pane, and Orlan23 cited
  • 2005The Commitment to Look19 cited
  • 2013Women as Subject and Object of the Gaze in Tragedy12 cited

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