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Crystal structure refinement of a sepiolite/indigo Maya Blue pigment using molecular modelling and synchrotron diffraction
6 references·5 citing·22 second hop
Crystal structure refinement of a sepiolite/indigo Maya Blue pigment using molecular modelling and synchrotron diffraction (2011)Crystal structure refinement of a sepioli…Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)Organic/inorganic complex pig…Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction (2006)Crystal structure refinement …The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice (2003)The Nature of the Colour Cent…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…New Hints on the Maya Blue Formation Process by PCA‐Assisted In Situ XRPD/PDF and Optical Spectroscopy (2019)New Hints on the Maya Blue Fo…Maya Blue Pigments Derived From Clay Minerals (2019)Maya Blue Pigments Derived Fr…Synchrotron Radiation in Art, Archaelogy and Cultural Heritage (2014)Synchrotron Radiation in Art,…Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment (2013)Redox Tuning and Species Dist…Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Vibrational investigation of …Maya Blue Paint: An Ancient Nanostructured Material (1996)Painting Materials: A Short Encyclopedia (2011)On the dehydroindigo contribution to Maya Blue (2013)Electroanalytical techniques in archaeological and art conservation (2017)A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue (2019)Maya Blue: A Computational and Spectroscopic Study (2005)A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)The Maya Blue Pigment (2011)Art on the Nanoscale and Beyond (2015)The colour of ochres explained by their composition (2005)Composition and Color of Maya Blue: Reexamination of Literature Data Based On the Dehydroindigo Model (2018)Probing the Indigo Molecule in Maya Blue Simulants with Resonance Raman Spectroscopy (2018)SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)Insertion of indigo molecules in the sepiolite structure as evidenced by 1H–29Si heteronuclear correlation spectroscopy (2010)Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)On the Raman spectrum of Maya blue (2006)Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach (2007)Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)
this work references cited by second hop

References

  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited
  • 2007Organic/inorganic complex pigments: Ancient colors Maya Blue104 cited
  • 2003The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice86 cited
  • 2006Crystal structure refinement of Maya Blue pigment prepared with deuterated indigo, using neutron powder diffraction46 cited

Cited by

  • 2011Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue44 cited
  • 2013Redox Tuning and Species Distribution in Maya Blue-Type Materials: A Reassessment30 cited
  • 2019New Hints on the Maya Blue Formation Process by PCA‐Assisted In Situ XRPD/PDF and Optical Spectroscopy23 cited
  • 2019Maya Blue Pigments Derived From Clay Minerals11 cited
  • 2014Synchrotron Radiation in Art, Archaelogy and Cultural Heritage11 cited

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