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Of Gospel Hymns, Minstrel Shows, and Jubilee Singers: Toward Some Black South African Musics
0 references·6 citing·20 second hop
Of Gospel Hymns, Minstrel Shows, and Jubilee Singers: Toward Some Black South African Musics (1987)Of Gospel Hymns, Minstrel Shows, and Jubi…Toward a “Modernizing” Hybridity: McAdoo’s Jubilee Singers, McAdoo’s Minstrels, and Racial Uplift Politics in South Africa, 1890–1898 (2014)Toward a “Modernizing” Hybrid…Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa (2011)Parading respectability: an e…Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890. (2010)Empire of Culture: U.S. Enter…South Africa and American Jazz: Towards a Polyphonic Historiography (2007)South Africa and American Jaz…Musical Echoes of American Jazz: Towards a Comparative Historiography (2007)Musical Echoes of American Ja…Sathima Bea Benjamin, exile and the ‘Southern Touch’ in Jazz creation and performance (1996)Sathima Bea Benjamin, exile a…Discipline and Punish: The Birth of the Prison. (1978)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Gender Trouble: Feminism and the Subversion of Identity (1991)Distinction: A Social Critique of the Judgement of Taste* (2018)Synthesising circus aesthetics and science: Australian circus and variety theatre at the turn of the twentieth century (2018)Dialectic of Enlightenment (2020)Fin-de-siècle Black Minstrelsy, Itinerancy, and the Anglophone Imperial Circuit (2023)The New Grove Dictionary of Music and Musicians (1981)The power of black music: interpreting its history from Africa to the United States (1995)The skin of the film: intercultural cinema, embodiment, and the senses (2000)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Travellers' Tales: Narratives of Home and Displacement (1994)Dangerous Crossroads: Popular Music, Postmodernism and the Poetics of Place. (1996)Music, Modernity, and the Global Imagination (1999)Western music and its others : difference, representation, and appropriation in music (2000)Yellow Music (2001)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Projecting Modernity: Sol Plaatje’s Touring Cinema Exhibition in 1920s South Africa (2018)
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Cited by

  • 2010Empire of Culture: U.S. Entertainers and the Making of the Pacific Circuit, 1850-1890.20 cited
  • 2007South Africa and American Jazz: Towards a Polyphonic Historiography7 cited
  • 1996Sathima Bea Benjamin, exile and the ‘Southern Touch’ in Jazz creation and performance6 cited
  • 2014Toward a “Modernizing” Hybridity: McAdoo’s Jubilee Singers, McAdoo’s Minstrels, and Racial Uplift Politics in South Africa, 1890–18985 cited
  • 2011Parading respectability: an ethnography of the Christmas bands movement in the Western Cape, South Africa5 cited
  • 2007Musical Echoes of American Jazz: Towards a Comparative Historiography4 cited

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