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The Poetics of Impersonality: T. S. Eliot and Ezra Pound.
0 references·16 citing·34 second hop
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Cited by

  • 2014Mortality and Form in Late Modernist Literature74 cited
  • 1991Persius' Didactic Satire: The Pupil as Teacher55 cited
  • 2000W. E. B. DuBois's Family Crisis32 cited
  • 2017Modernist Temporality: The Science and Philosophy and Aesthetics of Temporality from 188028 cited
  • 2012Bergson as Philosopher of War and Theorist of the Political26 cited
  • 2006T. S. Eliot and Cinema24 cited
  • 2017Epilogue: Modernism after Postmodernism22 cited
  • 2015Form, Voice, and the Avant-Garde21 cited
  • 2017Introduction: A History of “Modernism”20 cited
  • 2023Fragmentary Modernism20 cited
  • 2009“At the still point”: T. S. Eliot, Dance, and Modernism18 cited
  • 2013Modernism without Women: The Refusal of Becoming-Woman (and Post-Feminism)18 cited
  • 2017On or About 1922:Annus Mirabilisand the Other 1920s17 cited
  • 2017Modernism and the Urban Imaginary 1: Spectacle and Introspection17 cited
  • 2010“An invincible force meets an immovable object”: Gertrude Stein comes to Chicago17 cited

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2019
Interwar Modernism and the Liberal World Order: Offices, Institutions, and Aesthetics after 1919
17 cited