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Rhythm as Duration of Sounds in Tumba Francesa
1 references·16 citing·40 second hop
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this work references cited by second hop

References

  • 1987Participatory Discrepancies and the Power of Music361 cited

Cited by

  • 1998"Tails out": Social Phenomenology and the Ethnographic Representation of Technology in Music-Making104 cited
  • 2006The Power of Anacrusis52 cited
  • 2019Flow50 cited
  • 1997The Practice of Perception: Multi-Functionality and Time in the Musical Experiences of a Heavy Metal Drummer34 cited
  • 2006O Suingue Baiano: Rhythmic Feeling and Microrhythmic Phenomena in Brazilian Percussion33 cited
  • 1998Play It "Con Filin!": The Swing and Expression of Salsa27 cited
  • 2006Strategies in empirical studies of swing groove22 cited
  • 2010The ”PoumTchak” Pattern: Correspondences between Rhythm, Sound, and Movement in Electronic Dance Music16 cited
  • 2023Shaping rhythm: timing and sound in five groove-based genres13 cited
  • 2019Lyric, Rhythm, and Non-alignment in the Second Verse of Kendrick Lamar’s “Momma”11 cited
  • 2021The Political Force of Musical Actants: Grooves, Pleasures, and Politics in Havana D'Primera's ‘Pasaporte’ Live in Havana10 cited
  • 2009Fiddle Grooves: Identity, Representation, and the Sound of Cape Breton Fiddle Music in Popular Culture7 cited
  • 2023Bins, Spans, and Tolerance: Three Theories of Microtiming Behavior5 cited

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  • 2002Got Rhythm?: difficult encounters in theory and practice and other participatory discrepancies in music4 cited
  • 2017Near-unisons in Afro-Cuban Ensemble Drumming4 cited
  • 2013Groove Aesthetics in Afro-Cuban Jazz: Towards an Empirical Aesthetic Theory3 cited