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It's one thing to work on a film for seven years; discussing it in academic circles is quite another. Liberators Take Liberties has been presented in New York as a film that had provoked a great deal of controversy in Germany. This statement is inaccurate. Now and then I receive insulting letters, mostly from former participants in the war, because the film I made does not support their arguments. Some four out of fifty publications have also made accusations regarding my work; they will be discussed in what follows.'
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