In this article, we argue for a multi-dimensional research strategy incorporating material, social and phenomenological analysis in the study of figurines and other human effigies. We call this approach ‘following the material’. To illustrate, we examine two case studies: figurines from the Neolithic site of Çatalhöyük (Turkey) and human effigies from the Formative region of Moche (Peru). We look first at the material substances from which artifacts are made and the material contexts in which they were produced, circulated and deposited, before turning to analysis of the representation of the body. This enables us to see these objects as themselves bodies – not merely imperfect replicas of actual humans, but material objects made of substances that afford particular kinds of interactions between fleshly and artifactual bodies. This focus on the materiality of artifacts reveals tight connections between objects in human form, material culture, environment, landscape, and political economy.
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