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"My Song Is My Weapon": People's Songs, American Communism, and the Politics of Culture, 1930-1950
0 references·7 citing·27 second hop
"My Song Is My Weapon": People's Songs, American Communism, and the Politics of Culture, 1930-1950 (1991)"My Song Is My Weapon": People's Songs, A…Political Participation and Engagement in East Germany Through ChileanNueva Canción (2022)Political Participation and E…"The Varied carols I hear": The music of the New Deal in the West (2020)"The Varied carols I hear": T…“Bread and Roses” (2020)“Bread and Roses”A People's Music: Jazz in East Germany, 1945–1990 (2019)A People's Music: Jazz in Eas…Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music1 (2003)Are we global yet? Globalist …Aesthetic Identity, Race, and American Folk Music (2002)Aesthetic Identity, Race, and…The Jazz Studies Renaissance (1993)The Jazz Studies RenaissanceClassification in Art (1987)Creating Country Music (1997)The Production of Popular Music as a Confidence Game: The Case of the Chicago Blues (2004)Boundary processes: Recent theoretical developments and new contributions (2007)What Is Sociological about Music? (2010)Distinction: A Social Critique of the Judgement of Taste* (2018)George M. Fredrickson. The Black Image in the White Mind: The Debate on Afro-American Character and Destiny, 1817–1914. New York: Harper and Row. 1971. Pp. xiii, 343. $10.00 (1974)Highbrow/lowbrow: the emergence of cultural hierarchy in America (1989)No Respect: Intellectuals and Popular Culture (1990)Nations and Nationalism. (1984)Postmodernism, or, The cultural logic of late capitalism (1991)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Underground, Overground: Rock Music and Youth Discourses in Iran (2005)La Flûte Indienne: The Early History of Andean Folkloric-Popular Music in France and its Impact on Nueva Canción (2008)Jazz in Athens: Frustrated Cosmopolitans in a Music Subculture (2011)Culture as history (1984)The Slave's Narrative. (1986)The Signifying Monkey: A Theory of African-American Literary Criticism (1988)On Popular Music (1941)Who Paid the Piper?: The CIA and the Cultural Cold War (2002)The Right to Manage: Industrial Relations Policies of American Business in the 1940s (1983)The Rise and Fall of the New Deal Order, 1930-1980. (1990)The Origins & Evolution of the Field of Industrial Relations in the United States. (1993)Trade Unions and Equality, Diversity, and Inclusion in Italy: Bread and Butter, Bread and Roses, or Just Breadcrumbs? (2025)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1985)Music as social life: the politics of participation (2009)Anthem: social movements and the sound of solidarity in the African diaspora (2014)
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Cited by

  • 2003Are we global yet? Globalist discourse, cultural formations and the study of Zimbabwean popular music154 cited
  • 2002Aesthetic Identity, Race, and American Folk Music51 cited
  • 2020"The Varied carols I hear": The music of the New Deal in the West12 cited
  • 2022Political Participation and Engagement in East Germany Through ChileanNueva Canción3 cited
  • 2020“Bread and Roses”3 cited
  • 1993The Jazz Studies Renaissance2 cited
  • 2019A People's Music: Jazz in East Germany, 1945–19902 cited

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