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Zarzuela: Spanish Operetta, American Stage
0 references·11 citing·19 second hop
Zarzuela: Spanish Operetta, American Stage (2002)Zarzuela: Spanish Operetta, American StageThe Invention of Latin American Music (2020)The Invention of Latin Americ…The Coming of the Musical Play: Rodgers and Hammerstein (2017)The Coming of the Musical Pla…The Cambridge Companion to the Musical (2017)The Cambridge Companion to th…Stephen Sondheim and the Musical of the Outsider (2017)Stephen Sondheim and the Musi…New Horizons: The Musical at the Dawn of the Twenty-First Century (2017)New Horizons: The Musical at …American Musical Theatre before the Twentieth Century (2017)American Musical Theatre befo…‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–1969 (2017)‘We Said We Wouldn’t Look Bac…‘Tonight I Will Bewitch the World’: The European Musical (2017)‘Tonight I Will Bewitch the W…Drawing Boundaries between Markets, Nations, and Peoples, 1650-1940 (2009)Drawing Boundaries between Ma…Cinema on the U.S.-Mexico Border (2009)Cinema on the U.S.-Mexico Bor…Controlling Resistance, Resisting Control: The género chico and the Dynamics of Mass Entertainment in Late Nineteenth-Century Spain (2006)Controlling Resistance, Resis…Distinction: A Social Critique of the Judgement of Taste. (1985)The Work of Art in the Age of Mechanical Reproduction (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)Heavenly Bodies: Film Stars and Society (1987)Highbrow/Lowbrow (1988)Love and theft: blackface minstrelsy and the American working class (1994)The Visible Hand: The Managerial Revolution in American Business (1978)The Social Life of Things (1986)Book Review: Modernity at Large: Cultural Dimensions of Globalization (1998)Love and Theft: Blackface Minstrelsy and the American Working Class. (1994)МЮЗИКЛ ЯК ІНТОНАЦІЙНА ПРАКТИКА (2022)The Soundscape: Our Sonic Environment and the Tuning of the World (1993)Changing Highbrow Taste: From Snob to Omnivore (1996)Fronteras porosas, sonidos conectados: transnacionalidad de la Nueva Canción a través de sus escritos (2022)Translocal art worlds. Mobilities, routes, and conventions (2022)Transatlantic LatinX studies, Iberian studies, and the Global South (2024)Domestic Melodrama (2018)Gothic Melodrama (2018)The Cambridge Companion to English Melodrama (2018)
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Cited by

  • 2020The Invention of Latin American Music41 cited
  • 2017American Musical Theatre before the Twentieth Century25 cited
  • 2009Drawing Boundaries between Markets, Nations, and Peoples, 1650-194012 cited
  • 2006Controlling Resistance, Resisting Control: The género chico and the Dynamics of Mass Entertainment in Late Nineteenth-Century Spain10 cited
  • 2017The Cambridge Companion to the Musical8 cited
  • 2009Cinema on the U.S.-Mexico Border4 cited
  • 2017The Coming of the Musical Play: Rodgers and Hammerstein3 cited
  • 2017New Horizons: The Musical at the Dawn of the Twenty-First Century3 cited
  • 2017‘We Said We Wouldn’t Look Back’: British Musical Theatre, 1935–19692 cited
  • 2017Stephen Sondheim and the Musical of the Outsider2 cited
  • 2017‘Tonight I Will Bewitch the World’: The European Musical2 cited

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