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Ethnomusicologists, Archives, Professional Organizations, and the Shifting Ethics of Intellectual Property
2 references·16 citing·49 second hop
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this work references cited by second hop

References

  • 1982Nature and Society in Central Brazil: The Suya Indians of Mato Grosso.121 cited
  • 1996The/An Ethnomusicologist and the Record Business109 cited

Cited by

  • 2012Repatriating Archival Sound Recordings to Revive Traditions: The Role of the Klaus Wachsmann Recordings in the Revival of the Royal Music of Bunyoro-Kitara, Uganda47 cited
  • 2012We're all Archivists Now: Towards a more Equitable Ethnomusicology41 cited
  • 2004Une si douce berceuse pour la « World Music »36 cited
  • 2010Ethnomusicology and the Music Industries: An Overview31 cited
  • 2009Returning Hopi Voices: Redefining Repatriation through Community Partnership30 cited
  • 2007“Global Folk Music” Fusions: The Reification of Transnational Relationships and the Ethics of Cross-Cultural Appropriations in Finnish Contemporary Folk Music24 cited
  • 2021Ethnomusicology and the Meeting of Knowledges in Music21 cited
  • 2014Attention, une musique peut en cacher une autre21 cited
  • 2021Music Endangerment, Repatriation, and Intercultural Collaboration in an Australian Discomfort Zone20 cited
  • 2021Ethnomusicological Praxis18 cited
  • 2021Engaged Activist Research18 cited
  • 2021Music for Global Human Development18 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

2021
“How Is That Going to Help Anyone?”
18 cited
  • 2021Sincerely Outspoken17 cited
  • 2010La musique n’a pas d’auteur17 cited
  • 2013Musicians and the politics of dignity in South India14 cited