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Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music

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1950Style and Idea204 cited

Cited by

2014Schoenberg's Twelve-Tone Music: Symmetry and the Musical Idea35 cited
2001Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music23 cited
1989The State of Research in Twelve-Tone and Atonal Theory10 cited
1996Unveiling Schoenberg's op. 33b9 cited
1995Of "Modell-Typen" and "Reihenformen": Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation8 cited
2012Having the Last Word: Schoenberg and the Ultimate Cadenza7 cited
1995Of Modell-Typen and Modell-Typen: Berg, Schoenberg, F. H. Klein, and the Concept of Row Derivation6 cited
2015Review of “Tone Rows and Tropes” by Harald Fripertinger and Peter Lackner4 cited
2012The Shape of Things to Come? Seeking the Manifold Attractions of TonalityA Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. By Tymoczko Dmitri . Oxford Studies in Music Theory. New York: Oxford University Press, 2011, xviii + 450 pages.4 cited

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