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Nsenga/Shona Harmonic Patterns and the San Heritage in Southern Africa
1 references·3 citing·17 second hop
Nsenga/Shona Harmonic Patterns and the San Heritage in Southern Africa (1988)Nsenga/Shona Harmonic Patterns and the Sa…The Later Prehistory of Eastern and Southern Africa (1979)The Later Prehistory of Easte…Transforming African Musical Cycles (2017)Transforming African Musical …György Ligeti and the Aka Pygmies Project (2006)György Ligeti and the Aka Pyg…Music and Theory of the Possession Cult Leaders in Chibale, Serenje District, Zambia (1995)Music and Theory of the Posse…Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism (1997)Citizen and Subject: Contemporary Africa and the Legacy of Late Colonialism. (1997)Margins of Philosophy (2010)The Challenge of African Art Music (2011)Hemiola, Maximal Evenness, and Metric Ambiguity in Late Ligeti (2012)On African Music (2023)The Lambas of Northern Rhodesia (1931)The Kalimba of the Lala Tribe, Northern Rhodesia (1950)Ritual Symbolism, Morality and Social Structure Among the Ndembu (1961)The Lala kalimba: the correlation between instrument and style. (2010)The Structural Study of Myth (1955)Generalized Musical Intervals and Transformations (1988)The African Imagination in Music (2016)Tonality as a Colonizing Force in Africa (2023)New Linguistic Evidence and ‘The Bantu Expansion’ (1995)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Bantu expansion shows that habitat alters the route and pace of human dispersals (2015)
this work references cited by second hop

References

  • 1979The Later Prehistory of Eastern and Southern Africa242 cited

Cited by

  • 2006György Ligeti and the Aka Pygmies Project27 cited
  • 2017Transforming African Musical Cycles12 cited
  • 1995Music and Theory of the Possession Cult Leaders in Chibale, Serenje District, Zambia4 cited

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