SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The World of The Walking Dead – Transmediality and Transmedial Intermediality
10 references·2 citing·37 second hop
The World of The Walking Dead – Transmediality and Transmedial Intermediality (2015)The World of The Walking Dead – Transmedi…Complex TV: The Poetics of Contemporary Television Storytelling (2015)Complex TV: The Poetics of Co…Mapping commercial intertextuality: HBO’s True Blood (2011)Mapping commercial intertextu…Discourses and Models of Intermediality (2011)Discourses and Models of Inte…Literature through film: realism, magic, and the art of adaptation (2005)Literature through film: real…Transmedial Worlds - Rethinking Cyberworld Design (2004)Transmedial Worlds - Rethinki…The aesthetics and psychology of the cinema (1998)The aesthetics and psychology…Aesthetics and Psychology of the Cinema (1998)Aesthetics and Psychology of …Playing with Power in Movies, Television, and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles (1991)Playing with Power in Movies,…The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)The Classical Hollywood Cinem…'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985 (1986)'The Classical Hollywood Cine…TRANSMEDYA HİKAYECİLİĞİ VE BİLİŞSEL KAPİTALİZM İLİŞKİSİ ÜZERİNE BİR DEĞERLENDİRME (2023)TRANSMEDYA HİKAYECİLİĞİ VE Bİ…A Narratological Approach to Transmedial Storyworlds and Transmedial Universes (2018)A Narratological Approach to …The Act of Reading: A Theory of Aesthetic Response (1979)The Act of Reading: A Theory of Aesthetic Response (1980)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Transmedial Storytelling and Transfictionality (2013)Storyworlds across Media (2014)Transmedia characters: Theory and analysis (2019)Course in General Linguistics (1960)Understanding Media: The Extensions of Man (1964)The Order of Things: An Archaeology of the Human Sciences. (1971)Introduction to New Perspectives on Material Culture and Intermedial Practice (2011)Triangulating transmediality: A multimodal semiotic framework relating media, modes and genres (2017)Approaches to Studying Intermediality in Contemporary Cinema (2018)Textual poachers : television fans & participatory culture (1992)Show sold separately: promos, spoilers, and other media paratexts (2010)The Paratext of Fan Fiction (2014)Participatory journalism - the (r)evolution that wasn't. Content and user behavior in Sweden 2007-2013 (2015)Transmediality and the Politics of Adaptation: Concepts, Forms, and Strategies (2015)The Cultural Industries (2019)Unique Characteristics and Business Dynamics of Media Products (2005)Transparency and Twist in Narrative Fiction Film (2006)Scale and the Negotiation of ‘Real’ and ‘Unreal’ Space in the Cinema (2009)Adolescents’ identity experiments on the internet (2005)Video game values: Human–computer interaction and games (2006)What Is Video Game Culture? Cultural Studies and Game Studies (2010)THE RESOURCE-BASED VIEW OF THE FIRM IN TWO ENVIRONMENTS: THE HOLLYWOOD FILM STUDIOS FROM 1936 TO 1965. (1996)Entrepreneurship, Innovation and Industrial Development: Geography and the Creative Field Revisited (2006)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Mixing genres and matching people: a study in innovation and team composition in Hollywood (2007)The Attentional Theory of Cinematic Continuity (2012)Digital Media Platforms and the Use of TV Content: Binge Watching and Video-on-Demand in Germany (2016)The binge-watcher’s journey: Investigating motivations, contexts, and affective states surrounding Netflix viewing (2019)Ecocinema Theory and Practice 2 (2022)The “Three Ages” of Cinema Studies and the Age to Come (2000)The Changing Poetics of the Dissolve in Hollywood Film (2011)Alternative Shakespeares (1987)Adaptation, Translation, Critique (2007)Theorizing Adaptation (2020)
this work references cited by second hop

References

  • 2015Complex TV: The Poetics of Contemporary Television Storytelling1,028 cited
  • 1986The Classical Hollywood Cinema: Film Style & Mode of Production to 1960665 cited
  • 1991Playing with Power in Movies, Television, and Video Games: From Muppet Babies to Teenage Mutant Ninja Turtles414 cited
  • 1986'The Classical Hollywood Cinema: Film Style & Mode of Production to 1960,' David Bordwell, Janet Staiger and Kristin Thompson, Routledge & Kegan Paul, London, Melbourne and Henley, 1985380 cited
  • 2005Literature through film: realism, magic, and the art of adaptation283 cited
  • 2004Transmedial Worlds - Rethinking Cyberworld Design225 cited
  • 2011Discourses and Models of Intermediality113 cited
  • 1998Aesthetics and Psychology of the Cinema110 cited
  • 1998The aesthetics and psychology of the cinema102 cited
  • 2011Mapping commercial intertextuality: HBO’s True Blood41 cited

Cited by

  • 2018A Narratological Approach to Transmedial Storyworlds and Transmedial Universes4 cited
  • 2023TRANSMEDYA HİKAYECİLİĞİ VE BİLİŞSEL KAPİTALİZM İLİŞKİSİ ÜZERİNE BİR DEĞERLENDİRME3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work