SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
From Experimental Music to Musical Experiment
5 references·7 citing·33 second hop
From Experimental Music to Musical Experiment (1997)From Experimental Music to Musical Experi…The Originality of the Avant Garde and Other Modernist Myths (1988)The Originality of the Avant …The New Oxford Companion to Music (1987)The New Oxford Companion to M…Experimental Music: Cage and Beyond (1975)Experimental Music: Cage and …The Structure of Scientific Revolutions (1963)The Structure of Scientific R…The tradition of the new (1959)The tradition of the newExperimentalismo: estética, musicologia e retroatividade conceitual (2018)Experimentalismo: estética, m…What is New, Here? Locating an Art Form Within the Western Australian New Music Archive (2017)What is New, Here? Locating a…Princeton Theory's Problematics (2013)Princeton Theory's Problemati…In re: ‘Experimental Music’ (2012)In re: ‘Experimental Music’"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-61 (2008)"Experimentalists and Indepen…Children's Early Reflections on Improvised Music-making as the Wellspring of Musico-philosophical Thinking (2007)Children's Early Reflections …Interrogating comprovisation as practice-led research (2006)Interrogating comprovisation …The Technique of My Musical Language (1957)Sonatas and Interludes (1977)The Logic of Scientific Discovery. (1959)Silence : lectures and writings (2011)The Logic of Scientific Discovery (2013)Experiment! Towards an artistic epistemology (2015)THE MUSIC OF LAURENCE CRANE AND A POST-EXPERIMENTAL PERFORMANCE PRACTICE (2015)John Cage and Peter Yates (2019)An Introductory Essay (1968)New Music, New AlliesAmerican Experimental Music in West Germany from the Zero Hour to Reunification (2006)The Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Phenomenology of Perception (1982)Situated Learning: Legitimate Peripheral Participation. (1994)Learning and teaching through talk: music composing in the classroom with children aged six to seven years (2010)Researching children's musical culture: historical and contemporary perspectives (2010)The eclipse of a higher education or problems preparing artists in a mercantile world (2015)The Principles of Psychology (1891)Being and Time (1927)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The Cohort as a Concept in the Study of Social Change (1985)Celebrating Pluralism: Art, Education, and Cultural Diversity (1999)Tradition through Modernity: Postmodernism and the Nation-State in Folklore Scholarship (2005)Stage Fright, Animals, and Other Theatrical Problems (2006)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)The Ontological Turn: An Anthropological Exposition (2016)Key Implications of Ascending Fourth and Descending Fifth Openings (1999)Um objeto fugidio: voz e "musicologias" (2008)An empirical study into the learning practices and enculturation of DJs, turntablists, hip hop and dance music producers (2012)Improvised Music after 1950: Afrological and Eurological Perspectives (2002)After Adorno : rethinking music sociology (2003)Music and the materialization of identities (2011)Competing paradigms in qualitative research. (1994)Sample Size in Qualitative Interview Studies (2015)
this work references cited by second hop

References

  • 1963The Structure of Scientific Revolutions35,276 cited
  • 1988The Originality of the Avant Garde and Other Modernist Myths505 cited
  • 1975Experimental Music: Cage and Beyond317 cited
  • 1959The tradition of the new124 cited
  • 1987The New Oxford Companion to Music62 cited

Cited by

  • 2007Children's Early Reflections on Improvised Music-making as the Wellspring of Musico-philosophical Thinking25 cited
  • 2012In re: ‘Experimental Music’23 cited
  • 2008"Experimentalists and Independents are Favored": John Edmunds in Conversation with Peter Yates and John Cage, 1959-6111 cited
  • 2006Interrogating comprovisation as practice-led research10 cited
  • 2013Princeton Theory's Problematics4 cited
  • 2018Experimentalismo: estética, musicologia e retroatividade conceitual3 cited
  • 2017What is New, Here? Locating an Art Form Within the Western Australian New Music Archive2 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work