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The Indian Sarangi: Sound of Affect, Site of Contest
4 references·13 citing·44 second hop
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this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,319 cited
  • 1986Writing Culture: The Poetics and Politics of Ethnography6,196 cited
  • 1991Sufi Music of India and Pakistan: Sound, Context and Meaning in Qawwali69 cited
  • 1891The Music and Musical Instruments of Southern India and the Deccan48 cited

Cited by

  • 2008Sounds of Power: An Overview of Musical Instruments and Gender145 cited
  • 2011That Ban(e) of Indian Music: Hearing Politics in The Harmonium58 cited
  • 2020Interpretation, resonance, embodiment: affect theory and ethnomusicology38 cited
  • 2007The Social Liminality of Musicians: Case Studies from Mughal India and Beyond34 cited
  • 2024The Scholarly Ustad: Hindustani Music's Muslim Hereditary Professionals and Their Textual Traditions15 cited
  • 2008Xylophones in Thailand and Java: A Comparative Phenomenology of Musical Instruments14 cited
  • 2016The Harmonium in Sikh Music7 cited
  • 2001Instruments of Power: Sundanese "Multi-Laras" Gamelan in New Order Indonesia7 cited
  • 2021The Courtesan Project and the Tawa’ifs’ Cultural Commons7 cited
  • 2004Re-organization and Rhetoric: Changes in the social organization of North Indian classical music5 cited

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2017
A.R. Rahman and the aesthetic transformation of Indian film scores
5 cited
  • 1998Good vibrations? The curious cases of the didjeridu in spectacle and therapy in Australia4 cited
  • 2022Grimes’s Hymn to Technocracy, Insolvent Affordances, and the Need for Reparative Organology3 cited