The Picture Postcard as Historical Evidence: Veracruz, 1914

Abstract

When you look at these picture postcards, you sense how they felt — these invading U.S. sailors and marines at war with Mexican soldiers and civilians defending their territory. These photos are not the work of professionals, although a number of salaried photojournalists in 1914 recorded the American landing at Veracruz for their respective publications. Instead, these are, by and large, simple snapshots, unplanned, some unfocused, taken at a moment's opportunity by the participants themselves. They picture the way in which common combatants hoped to remember the event, and how they wanted others to view it. All the more so, because these are not simply photographs, but also postcards, the images reinforced with handwritten messages and mailed elsewhere to share the experience of Veracruz and to indicate how they felt about it. Americans full of bombast and arrogance in their display of Old Glory, disdain the enemy. Mexicans, returning the fight (some of it in posed pictures), eager to display the destruction caused by the foreign intervention and to mourn their dead. Picture postcards such as these beg analysis, yield insights, raise questions; they are a new and fascinating piece to be fitted into the puzzle of history.

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