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A. B. Marx’sSonatenform
12 references·0 citing·24 second hop
A. B. Marx’sSonatenform (2011)A. B. Marx’sSonatenformForm as the Process of Becoming: The Beethoven-Hegelian Tradition and the “Tempest” Sonata (2017)Form as the Process of Becomi…The Cambridge History of Western Music Theory (2002)The Cambridge History of West…Musical form in the age of Beethoven: selected writings on theory and method (1998)Musical form in the age of Be…Wordless Rhetoric: Musical Form and the Metaphor of the Oration (1993)Wordless Rhetoric: Musical Fo…Ludwig van Beethoven: Approaches to His Music (1993)Ludwig van Beethoven: Approac…Wordless Rhetoric (1991)Wordless RhetoricLudwig van Beethoven (1991)Ludwig van BeethovenCriticism, Faith, and the "Idee": A. B. Marx's Early Reception of Beethoven (1990)Criticism, Faith, and the "Id…The Role of Sonata Form in A. B. Marx's Theory of Form (1989)The Role of Sonata Form in A.…Nineteenth-century music (1989)Nineteenth-century musicDie Musik in Geschichte und Gegenwart (1989)Die Musik in Geschichte und G…Ludwig van Beethoven : Leben und Schaffen (1901)Ludwig van Beethoven : Leben …Truth and Method (1960)A. B. Marx, Berlin Concert Life, and German National Identity (1994)Über die Verschiedenheit des menschlichen Sprachbaues und ihren Einflu§ auf die geistige Entwickelung des Menschengeschlechts (2009)Music, Culture and Social Reform in the Age of Wagner (2010)The Cambridge History of Music Criticism (2019)The Classical Cadence: Conceptions and Misconceptions (2004)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Musical Creativity in Restoration England (2013)Wagner, Deafness, and the Reception of Beethoven's Late Style (1998)Poetry and the Romantic Musical Aesthetic (2008)Choral fantasies: music, festivity, and nationhood in nineteenth-century Germany (2013)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)The Schenker Project (2007)Music as Discourse (2008)Music and 'Weltanschauung': Franz Brendel and the Claims of Universal History (2012)Epistemologies of music theory (2002)The orchestral revolution: Haydn and the technologies of timbre (2013)Production, consumption and political function of seventeenth-century opera (1984)From Maker to Composer: Improvisation and Musical Authorship in the Low Countries, 1450-1500 (1996)The Dahlhaus Project and Its Extra-Musicological Sources (1991)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)The Characteristic Symphony in the Age of Haydn and Beethoven (2002)"Something in the Way She Moves"-Metaphors of Musical Motion (2003)Action and Agency Revisited (2013)
this work references cited by second hop

References

  • 1989Nineteenth-century music635 cited
  • 1989Die Musik in Geschichte und Gegenwart500 cited
  • 2002The Cambridge History of Western Music Theory452 cited
  • 1991Wordless Rhetoric226 cited
  • 1993Wordless Rhetoric: Musical Form and the Metaphor of the Oration173 cited
  • 1901Ludwig van Beethoven : Leben und Schaffen98 cited
  • 1998Musical form in the age of Beethoven: selected writings on theory and method74 cited
  • 1993Ludwig van Beethoven: Approaches to His Music70 cited
  • 1990Criticism, Faith, and the "Idee": A. B. Marx's Early Reception of Beethoven59 cited
  • 1989The Role of Sonata Form in A. B. Marx's Theory of Form33 cited
  • 2017Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the “Tempest” Sonata23 cited
  • 1991Ludwig van Beethoven5 cited

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