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Jazz and the White Americans: The Acceptance of a New Art Form
0 references·6 citing·27 second hop
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Cited by

  • 2004Classes sociales, pratiques culturelles et styles de vie127 cited
  • 2008Why Pseudonyms? Deception as Identity Preservation Among Jazz Record Companies, 1920–192985 cited
  • 1995Black Musical Internationalism in England in the 1920s17 cited
  • 2010Identity sequences and the early adoption pattern of a jazz canon, 1920–192915 cited
  • 1993The Lives of Jazz11 cited
  • 1984Prejudice Lives: Toward a Philosophy of Black Music Biography3 cited

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