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Genre and Authority: The Eighteenth-Century Creation of Chaucerian Burlesque
10 references·1 citing·23 second hop
Genre and Authority: The Eighteenth-Century Creation of Chaucerian Burlesque (1985)Genre and Authority: The Eighteenth-Centu…Dictionary of the English language (2005)Dictionary of the English lan…Chaucer: A Critical Appreciation (1982)Chaucer: A Critical Appreciat…Parody : meta-fiction : an analysis of parody as a critical mirror to the writing and reception of fiction (1979)Parody : meta-fiction : an an…Le dictionnaire universel (1978)Le dictionnaire universelThe Idea of the Canterbury Tales (1976)The Idea of the Canterbury Ta…Hurd's Letters on Chivalry and Romance: With the Third Elizabethan Dialogue (1976)Hurd's Letters on Chivalry an…Sentence and Solaas in Fragment VII of the Canterbury Tales: Harry Bailly as Horseback Editor (1967)Sentence and Solaas in Fragme…Letters on chivalry and romance (1762) (1963)Letters on chivalry and roman…Parodies: An Anthology from Chaucer to Beerbohm and After (1961)Parodies: An Anthology from C…Five Hundred Years of Chaucer Criticism and allusion (1357—1900) (1926)Five Hundred Years of Chaucer…"Tyl Mercurius House He Flye": Early Printed Texts and Critical Readings of the Squire's Tale (2000)"Tyl Mercurius House He Flye"…The ‘Parson's Tale’ and the Quitting of the ‘Canterbury Tales’ (1978)The Wife of Bath’s Passing Fancy (1986)The New Reader and Female Textuality in Two Early Commentaries on Chaucer (1988)The Oral-Formulaic Theory in Middle English Studies (1986)Forsworn and Fordone: Arcite as Oath-Breaker in the Knight's Tale (2006)Chaucer’s Dainty ‘Dogerel’: The ‘Elvyssh’ Prosody of Sir Thopas (1979)Games (2002)Social Aesthetics and the Emergence of Civic Discourse from the Shipman's Tale to Melibee (2005)An Art Book and its Viewers: The "Recueil Crozat" and the Uses of Reproductive Engraving (2005)How to Measure the Meanings of Words? Amour in Corneille’s Work (2005)A Transatlantic Commodity: Irish Salt Beef in the French Atlantic World (2007)Biblical scholarship and literary criticism (1997)The Cambridge History of Literary Criticism (1997)Monastic productions (1999)Promoting Resilience in At‐Risk Children (1996)Meaning in Interaction: The Case of Actually (2001)Can Ideas be Capital? Factors of Production in the Postindustrial Economy: A Review and Critique (2007)Eighteenth-century women poets (2005)The Cambridge History of English Literature, 1660–1780 (2005)Achilles Tatius and Parody (2000)Parody and Style (2001)Digitized parody: The politics of egao in contemporary China (2010)Native Studies: Orientalism and Medievalism (2000)
this work references cited by second hop

References

  • 2005Dictionary of the English language774 cited
  • 1963Letters on chivalry and romance (1762)231 cited
  • 1976The Idea of the Canterbury Tales192 cited
  • 1926Five Hundred Years of Chaucer Criticism and allusion (1357—1900)185 cited
  • 1979Parody : meta-fiction : an analysis of parody as a critical mirror to the writing and reception of fiction90 cited
  • 1978Le dictionnaire universel87 cited
  • 1961Parodies: An Anthology from Chaucer to Beerbohm and After48 cited
  • 1967Sentence and Solaas in Fragment VII of the Canterbury Tales: Harry Bailly as Horseback Editor20 cited
  • 1976Hurd's Letters on Chivalry and Romance: With the Third Elizabethan Dialogue12 cited
  • 1982Chaucer: A Critical Appreciation10 cited

Cited by

  • 2000"Tyl Mercurius House He Flye": Early Printed Texts and Critical Readings of the Squire's Tale3 cited

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