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Music in Britain: The Romantic Age, 1800-1914
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Music in Britain: The Romantic Age, 1800-1914 (1983)Music in Britain: The Romantic Age, 1800-…Foreign Opera at the London Playhouses: From Mozart to Bellini (2015)Foreign Opera at the London P…Writing about America (2012)Writing about AmericaVictorian reading (2012)Victorian readingThe Cambridge History of Victorian Literature (2012)The Cambridge History of Vict…‘The annihilation of space and time’: literature and technology (2012)‘The annihilation of space an…Redefining the Status of Opera: London and Leipzig, 1800–1848 (2005)Redefining the Status of Oper…Henry Wood, the ?Proms,? and National Identity in Music, 1895-1904 (2005)Henry Wood, the ?Proms,? and …Continental Opera Englished, English Opera Continentalized:Der Freischützin London, 1824 (2004)Continental Opera Englished, …George Gissing's Concertina (1999)George Gissing's ConcertinaRe-gendering the Libertine; or, the Taming of the Rake: Lucy Vestris as Don Giovanni on the early nineteenth-century London stage (1998)Re-gendering the Libertine; o…‘… into another kind of life in which anything might happen …’ Popular music and late modernity, 1910–1930 (1995)‘… into another kind of life …London: a City of Unrivalled Riches (1989)London: a City of Unrivalled …Surpassing the Love of Men: Romantic Friendship and Love Between Women from the Renaissance to the Present (1981)Body guards : the cultural politics of gender ambiguity (1989)Hidden from History: Reclaiming the Gay and Lesbian Past. (1991)Picturing Nineteenth-Century Female Theatre Managers: the Iconology of Eliza Vestris and Sara Lane (2017)German History 1770-1866 (1990)Listening in Paris: A Cultural History. (1995)Imagining the middle class: the political representation of class in Britain, c.1780-1840 (1996)Analysing musical culture in nineteenth-century Europe: towards a musical turn? (2010)Die Politik des Schweigens (2012)Transatlantic Interracial Sisterhoods: Sarah Remond, Ellen Craft, and Harriet Jacobs in England (2017)The Victorian Music Hall: Culture, Class and Conflict (1999)The New Grove dictionary of music and musicians (2001)London Labour and the London Poor (2012)Reading Music through Literature: Introduction (2017)Distinction: A Social Critique of the Judgement of Taste. (1985)The consequences of modernity (1990)Contesting Popular Dancing and Dance Music in Britain During the 1920s (2013)‘Hullo, Ragtime!’West End revue and the Americanisation of popular culture in pre-1914 London (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)Notes on troubling ‘the popular’ (2018)Authors and Owners: The Invention of Copyright (1993)Britons : Forging the Nation, 1707-1837 (2003)Adaptation and Appropriation (2015)An Earnest Meyerbeer:Le Prophèteat London’s Royal Italian Opera, 1849 (2017)The Melodramatic Imagination: Balzac, Henry James, Melodrama, and the Mode of Excess. (1985)Nineteenth-century music (1989)Illegitimate Theatre in London, 1770-1840 (2004)The Dialogic Imagination: Four Essays (1982)The Social Life of Things (1986)We Have Never Been Modern (1994)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)The Dialogic Imagination: Four Essays (1981)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1984)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)We have never been modern (1994)
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Cited by

  • 2005Redefining the Status of Opera: London and Leipzig, 1800–184826 cited
  • 2012‘The annihilation of space and time’: literature and technology25 cited
  • 2012Writing about America22 cited
  • 2012The Cambridge History of Victorian Literature17 cited
  • 2012Victorian reading16 cited
  • 1995‘… into another kind of life in which anything might happen …’ Popular music and late modernity, 1910–193014 cited
  • 1998Re-gendering the Libertine; or, the Taming of the Rake: Lucy Vestris as Don Giovanni on the early nineteenth-century London stage7 cited
  • 2015Foreign Opera at the London Playhouses: From Mozart to Bellini6 cited
  • 1999George Gissing's Concertina5 cited
  • 2004Continental Opera Englished, English Opera Continentalized:Der Freischützin London, 18244 cited
  • 2005Henry Wood, the ?Proms,? and National Identity in Music, 1895-19044 cited
  • 1989London: a City of Unrivalled Riches4 cited

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