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A Semantic/Syntactic Approach to Film Genre
1 references·16 citing·52 second hop
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References

  • 1974Language and Cinema580 cited

Cited by

  • 2005New Vocabularies in Film Semiotics289 cited
  • 2017Content structure is king: An empirical study on gratifications, game genres and content type on Twitch208 cited
  • 2020Visual and Multimodal Communication146 cited
  • 2013Don't Call Me That: A Techno-Feminist Critique of the TermMommy Blogger61 cited
  • 2005Globalizing Bombay Cinema54 cited
  • 2016Towards next-generation visual archives:image, film and discourse51 cited
  • 2010Western, Go Home! Sergio Leone and the “Death of the Western” in American Film Criticism43 cited
  • 2011Toward the World Novel: Genre Shifts in Twenty-First-Century Expatriate Fiction29 cited
  • 2021Genres and inequality in the creative industries28 cited
  • 2015Humanitarian Melodramas, Globalist Nostalgia: Affective Temporalities of Globalization and Uneven Development24 cited
  • 2010Hollywood Incoherent: Narration in Seventies Cinema23 cited
  • 2002The Wild East: Deconstructing the Language of Genre in the Hollywood Eastern21 cited
  • 2016The Emergence of a Tradition in Icelandic Cinema20 cited
  • 2019Kommunikationsräume. Einführung in die Semiopragmatik

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19 cited
  • 1997The Changing Generic Location of Crime in Film: A Content Analysis of Film Synopses, 1945–199118 cited
  • 2024Deepfakes as narratives: Psychological processes explaining their reception17 cited