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Social Background and Musical Taste
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Social Background and Musical Taste (1948)Social Background and Musical TasteTaste clusters of music and drugs: evidence from three analytic levels (2014)Taste clusters of music and d…The Sociology of Music (2007)The Sociology of MusicIs ‘distinction’ really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France (2007)Is ‘distinction’ really outda…Taste cultures, culture classes, affective alliances, and popular music reception: Theory, methodology, and an application to a Beatles song (1996)Taste cultures, culture class…The sociology of popular music: A review (1983)The sociology of popular musi…Musical taste cultures and taste publics revisited: A research note of new evidence (1981)Musical taste cultures and ta…Suggested scales for the measurement of musical involvement and genre tastes (1980)Suggested scales for the meas…Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗ (1978)Sound recording popularity ch…Sound recording popularity charts: A useful tool for music research (1975)Sound recording popularity ch…Sound recording popularity charts: A useful tool for music research (1975)Sound recording popularity ch…Record Roulette: What Makes It Spin? (1975)Record Roulette: What Makes I…Music regarded from a sociological point of view † (1974)Music regarded from a sociolo…Responding to popular music: Criteria of classification and choice among English teenagers (1972)Responding to popular music: …Demographic variables and record ownership by Collegiates: A research note (1972)Demographic variables and rec…Sociological Conditions Which Contributed to the Growth of the School Band Movement in the United States (1969)Sociological Conditions Which…On Popular Music (1941)Psychoanalytic Explorations in Art (1953)Folk Song Style and Culture (1969)Sound exposure in radio: The misleading nature of the station playlist (1974)Women in popular music: A quantitative analysis of feminine images over time (1985)Women in popular music changing fortunes from 1955 to 1984 (1986)Outsiders; studies in the sociology of deviance (1963)Distinction: A Social Critique of the Judgement of Taste. (1985)Distinction: A Social Critique of the Judgement of Taste* (2018)Music subculture as a source of conspicuous consumption practices: a qualitative content analysis of “altered movement” songs and music videos (2020)Representations of Psychoactive Drugs’ Use in Mass Culture and Their Impact on Audiences (2021)Contemporary Sociological Theories. (1928)Social and Cultural Mobility (1959)The Rational and Social Foundations of Music (1960)The Wisconsin School Music Association and Its Contests: The Early Years (1989)America's popular music traditions as “Canon‐Fodder” (1998)Using the elements of cooperative learning in school band classes in the United States (2014)Solid Gold: The Popular Record Industry. (1976)The Social Organization of Leisure in Human Society. (1977)An experimental evaluation of music involvement measures and their relationship with consumer purchasing behavior (1988)Music CD Purchase Decisions (2006)Popular music and society (2015)The Dialogue of Courtship in Popular Songs (1957)Youth and Popular Music: A Study in the Sociology of Taste (1957)Changing Courtship Patterns in the Popular Song (1969)Solo female vocalists: Some shifts in stature and alterations in song (1977)SoundScan and the consolidation of control in the popular music industry (1997)Putting the Charity Back into Charity Singles: Charity Singles in Britain 1984–1995 (2012)Outline of a Theory of Practice (1977)The consequences of modernity (1990)Gender and highbrow cultural participation in the United States (2012)Cultural sociology and new forms of distinction (2015)From Aristocratic to Ordinary: Shifting Modes of Elite Distinction (2020)Collected Papers (1964)Introduction to the Sociology of Music. (1977)Popular Culture and High Culture: An Analysis and Evaluation of Taste. (1977)Adolescent idolization of pop singers: Causes, expressions, and reliance (1996)Music, culture and social movements: song and southern textile worker mobilization, 1929‐1934 (2002)Rock 'N' Roll Is Here to Pay: The History and Politics of the Music Industry (1977)Effects of Associating with Musical Genres on Heterosexual Attraction (1989)You Are What You Listen To: Young People's Stereotypes about Music Fans (2009)Musical taste, employment, education, and global region (2013)Institutions and organizations (1995)Sensemaking in Organizations (1996)Playing with Imagined Others: Developing a Musical Ear in Conversation with Recordings (2019)A thematic analysis of sexist Bollywood songs (2020)Music and the Social Construction of Self (2024)American Popular Song: The Great Innovators, 1900–1950 (1972)LP chart careers: Indices and predictors of ascent and descent in popularity (1982)
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  • 2007Is ‘distinction’ really outdated? Questioning the meaning of the omnivorization of musical taste in contemporary France188 cited
  • 1975Record Roulette: What Makes It Spin?34 cited
  • 1975Sound recording popularity charts: A useful tool for music research29 cited
  • 2014Taste clusters of music and drugs: evidence from three analytic levels18 cited
  • 1969Sociological Conditions Which Contributed to the Growth of the School Band Movement in the United States18 cited
  • 1981Musical taste cultures and taste publics revisited: A research note of new evidence18 cited
  • 1983The sociology of popular music: A review18 cited
  • 2007The Sociology of Music13 cited
  • 1980Suggested scales for the measurement of musical involvement and genre tastes11 cited
  • 1975Sound recording popularity charts: A useful tool for music research10 cited
  • 1972Demographic variables and record ownership by Collegiates: A research note8 cited
  • 1978Sound recording popularity charts: A useful tool for music research II. Some recommendations for change∗7 cited
  • 1972Responding to popular music: Criteria of classification and choice among English teenagers7 cited
  • 1974Music regarded from a sociological point of view †

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5 cited
  • 1996Taste cultures, culture classes, affective alliances, and popular music reception: Theory, methodology, and an application to a Beatles song4 cited