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The Form of the Phonograph Record
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  • 2016Soundscapes of Nineteenth-Century Paris: The Cries of Kastner and Mallarmé24 cited
  • 2011The Elusive Allure of “Aura”: Sample-based Music and Benjamin’s Practice of Quotation23 cited
  • 2005Arno Holz vs. Thomas Mann: Modernist Media Fantasies14 cited
  • 1999Recycling urban spaces11 cited
  • 2017Sonata Quasi Una Fantasia10 cited
  • 2012Digital Reproducibility and the Culture Industry: Popular Music and the Adorno-Benjamin Debate10 cited
  • 2006Latent body—plastic, malleable, inscribed: The human voice, the body and the sound of its transformation through technology6 cited
  • 2011Joshua Pulumo Mohapeloa and the heritage of African song4 cited
  • 2012The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century4 cited
  • 2024Solitary Listening, Copyright, and Reification during the Interwar Years: A Discourse Theoretic Approach3 cited
  • 1996Autonomy, Mimesis and Mechanical Reproduction in Contemporary Music3 cited
  • 2010“We Are Gone”: “Black Steel” and the Technologies of Presence and Absence2 cited

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