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The role of music producers and sound engineers in the current recording context, as perceived by young professionals
8 references·0 citing·29 second hop
The role of music producers and sound engineers in the current recording context, as perceived by young professionals (2011)The role of music producers and sound eng…Making and Hearing Virtual Worlds: John Culshaw and the Art of Record Production (2007)Making and Hearing Virtual Wo…Learning to Listen When There is Too Much to Hear: Music Producing and Audio Engineering as ‘Engaged Hearing’ (2007)Learning to Listen When There…La carrière des artistes et les transformations de la production musicale. Relations de travail et relation au travail dans le monde des musiques rap et électroniques (2007)La carrière des artistes et l…Repeated Takes: A Short History of Recording and its Effects on Music (1995)Repeated Takes: A Short Histo…The Complete Beatles Chronicle (1992)The Complete Beatles ChronicleAn Intermediary Between Production and Consumption: The Producer of Popular Music (1989)An Intermediary Between Produ…Record Producer (1977)Record ProducerTHE DISCOVERY OF GROUNDED THEORY: STRATEGIES FOR QUALITATIVE RESEARCH. By Barney G. Glaser and Anselm L. Strauss. Chicago: Aldine Publishing Company, 1967. 271 pp. $6.75 (1968)THE DISCOVERY OF GROUNDED THE…Performing music in the age of recording (2004)Ways of Listening (2005)Record Producers’ Best Practices For Artistic Direction—From Light Coaching To Deeper Collaboration With Musicians (2013)The impact of technological advances on recording studio practices (2013)Consumers on Critique: A Survey of Classical Music Listeners’ Engagement with Professional Music Reviews (2020)La distinction, critique sociale du jugement (1980)Subculture: The Meaning of Style. (1981)Science in Action (1987)Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity (1992)The cultural economy: geography and the creative field (1999)‘It Was Such a Handy Term’: Management Fashions and Pragmatic Ambiguity* (2006)Sound and sentiment: birds, weeping, poetics, and song in Kaluli expression (1990)Producing Pop: Culture and Conflict in the Popular Music Industry (1992)Le studio d’enregistrement comme terrain en ethnomusicologie (2017)Do We Really Want to Keep the Gate Threshold That High? (2021)Notes on the Concept of Commitment (1960)The System of Professions (1988)Le nouvel esprit du capitalisme (2001)Significado do trabalho nas indústrias criativas (2011)“One for the money”? The impact of the “disk crisis” on “ordinary musicians” income: The case of French speaking Switzerland (2021)A Sweet Lullaby for World Music (2000)The Production of Culture Perspective (2004)Soundscapes: Toward a Sounded Anthropology (2010)Creative trends in the content of beatles lyrics (1996)Indian Resonances in the British Invasion, 1965-1968 (1997)Authorship and the Beatles (2007)How Many Interviews Are Enough? (2005)Document Analysis as a Qualitative Research Method (2009)Purposeful Sampling for Qualitative Data Collection and Analysis in Mixed Method Implementation Research (2013)
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References

  • 1968THE DISCOVERY OF GROUNDED THEORY: STRATEGIES FOR QUALITATIVE RESEARCH. By Barney G. Glaser and Anselm L. Strauss. Chicago: Aldine Publishing Company, 1967. 271 pp. $6.7546,516 cited
  • 1995Repeated Takes: A Short History of Recording and its Effects on Music433 cited
  • 1989An Intermediary Between Production and Consumption: The Producer of Popular Music238 cited
  • 1992The Complete Beatles Chronicle93 cited
  • 2007La carrière des artistes et les transformations de la production musicale. Relations de travail et relation au travail dans le monde des musiques rap et électroniques34 cited
  • 2007Making and Hearing Virtual Worlds: John Culshaw and the Art of Record Production11 cited
  • 2007Learning to Listen When There is Too Much to Hear: Music Producing and Audio Engineering as ‘Engaged Hearing’9 cited
  • 1977Record Producer3 cited

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