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The Origin of the Figure Called "The Vice" in Tudor Drama
3 references·1 citing·11 second hop
The Origin of the Figure Called "The Vice" in Tudor Drama (1958)The Origin of the Figure Called "The Vice…Documents relating to the revels at court in the time of King Edward VI and Queen Mary : (the Loseley manuscripts) (1963)Documents relating to the rev…The English folk-play (1933)The English folk-playThe Mediaeval Stage (1904)The Mediaeval Stage“Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays (2008)“Masking players, painted sep…Shakespeare and the Allegory of Evil (1960)From Mankind to Marlowe (1962)The Antitheatrical Prejudice (1966)Kingship and Politics in the Reign of Edward VI (2002)Antitheatricalism and the Interpretation of Tudor Allegorical Performance (2015)Death in Children's Literature (1972)‘Wee be black as Hell’: Ritual, Disguise and Rebellion (1993)History and Legend: The Exile and the Turk (2003)Leoninus, Poet and Musician (1986)John Lydgate and the Making of Public Culture (2005)The New Cambridge History of the Bible (2012)
this work references cited by second hop

References

  • 1904The Mediaeval Stage144 cited
  • 1933The English folk-play44 cited
  • 1963Documents relating to the revels at court in the time of King Edward VI and Queen Mary : (the Loseley manuscripts)10 cited

Cited by

  • 2008“Masking players, painted sepulchers and double dealing ambidexters” on duty: anti-theatricalist tracts on audience involvement and the transformative power of plays3 cited

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