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Cited by

• 2011Acts of activism: human rights as radical performance77 cited
• 2002Performing heritage: the use of live ‘actors’ in heritage presentations51 cited
• 2014Tribal Televisions30 cited
• 2013A Race So Different: Performance and Law in Asian America29 cited
• 2015Building social inclusion through critical arts-based pedagogies in university classroom communities23 cited
• 2009Anthropology, Festival, and Spectacle21 cited
• 2014Magic, Modernity, and Orientalism: Conjuring representations of Asia21 cited
• 2013Global Cholas: Reworking Tradition and Modernity in Bolivian Lucha Libre16 cited
• 2000Out of the Fringe? Out of the Closet: Latina/Latino Theatre and Performance in the 1990s16 cited
• 2013Sara Baartman and the “Inclusive Exclusions” of Neoliberalism15 cited
• 2011"If I was not in prison, I would not be famous": Discipline, Choreography, and Mimicry in the Philippines13 cited
• 2012A Lie of Omission: Plagiarism in Nella Larsen's Quicksand13 cited
• 2007Transgressing Boundaries: Making Theatre from an Afropolitan Perspective6 cited
• 1995Responses to W. B. Worthen's "Disciplines of the Text/Sites of Performance"5 cited