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"Alienation-Effect" for Whom? Brecht's (Mis)interpretation of the Classical Chinese Theatre
3 references·2 citing·18 second hop
"Alienation-Effect" for Whom? Brecht's (Mis)interpretation of the Classical Chinese Theatre (1997)"Alienation-Effect" for Whom? Brecht's (M…The Predicament of Culture (1988)The Predicament of CultureWriting and Difference (1980)Writing and DifferenceBrecht: The Man and His Work (1961)Brecht: The Man and His WorkMale Dan: The Paradox of Sex, Acting, and Perception of Female Impersonation in Traditional Chinese Theatre (2000)Male Dan: The Paradox of Sex,…Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful (1999)Meyerhold Meets Mei Lanfang: …Empire of Signs (1982)Feminism and Theatre (1988)A dictionary of theatre anthropology: the secret art of the performer (1992)Gender, Tradition, and Culture in Translation: Reading the Onnagata in English (2012)Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic (2013)Trespassing, Crisis, and Renewal: Li Yugang and Cross-Dressing Performance (2013)My Country and My People. (1936)Film Form: Essays in Film Theory (1949)The Grotesque in Art and Literature (1965)Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Race and the Education of Desire (1995)Grounded Theory in Management Research (2003)Dances with Mei Lanfang: Brecht and the Alienation Effect (1998)Irony and the modern theatre (2012)Dramaturgy and Dramatic Character: A Long View (2016)Beyond “Culture”: Space, Identity, and the Politics of Difference (1992)The Extended Case Method (1998)Translation, Rewriting, and the Manipulation of Literary Fame (2016)
this work references cited by second hop

References

  • 1980Writing and Difference7,689 cited
  • 1988The Predicament of Culture951 cited
  • 1961Brecht: The Man and His Work34 cited

Cited by

  • 2000Male Dan: The Paradox of Sex, Acting, and Perception of Female Impersonation in Traditional Chinese Theatre28 cited
  • 1999Meyerhold Meets Mei Lanfang: Staging the Grotesque and the Beautiful7 cited

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