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Cited by

• 2004Wollstonecraft's Philosophical Impact on Nineteenth-Century American Women's Rights Advocates76 cited
• 2004The New Men's History and the Peculiar Absence of Gendered Power: Some Remedies from Early American Gender History71 cited
• 2005Drama, Theatre, and Identity in the American New Republic46 cited
• 2004The Cruelest Season: Female Heroes Snapped into Sacrificial Heroines25 cited
• 2004Rape and Revolution: Feminism, Antijacobinism, and the Politics of Injured Innocence in Brockden Brown's Ormond24 cited
• 2005Tales of the Philadelphia Theatre:Ormond, national performance, and supranational identity14 cited
• 2017Transatlantic Contrafacta, Musical Formats, and the Creation of Political Culture in Revolutionary America14 cited
• 2020Nineteenth-Century Critical Reception4 cited
• 2005Susanna Rowson and the dramatized Muslim2 cited
• 2022Fostering the “Art of Forceful Speech”: Music in the Century Club of California, 1888–19202 cited