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The Rhythm of Combat: Understanding the Role of Music in Performances of Traditional Chinese Martial Arts and Lion Dance
13 references·4 citing·34 second hop
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this work references cited by second hop

References

  • 1986The Invention of Tradition7,087 cited
  • 1983Local Knowledge: Further Essays In Interpretive Anthropology5,052 cited
  • 2003Performance Ethnography: Critical Pedagogy and the Politics of Culture833 cited
  • 1997:Keeping Together in Time: Dance and Drill in Human History451 cited
  • 1960The Challenge of "Bi-Musicality"387 cited
  • 2009Habit(us), Body Techniques and Body Callusing: An Ethnography of Mixed Martial Arts186 cited
  • 1980African Rhythm and African Sensibility: Aesthetics and Social Action in African Musical Idioms178 cited
  • 2004Speak it Louder: Asian Americans Making Music169 cited
  • 2011Choreomusical Conversations: Facing a Double Challenge141 cited
  • 1980African Rhythm and African Sensibility. Aesthetics and Social Action in African Musical Idioms140 cited
  • 2008Sensational knowledge: embodying culture through Japanese dance128 cited
  • 2008Up on the Roof: The Embodied Habitus of Diasporic Capoeira97 cited
  • 2009Shadows of the Prophet65 cited

Cited by

  • 2020The Invention of Martial Arts24 cited
  • 2018Unisonance in kung fu film music, or the Wong Fei-hung theme song as a Cantonese transnational anthem

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20 cited
  • 2021Enhancing students' understanding and skills on dance music: An action research8 cited
  • 2017Between repetition and variation: a musical performance ofmalíciain capoeira8 cited