SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
“Why Am I Black?” Gendering Hip-Hop, and Translocal Solidarities in Dubai
16 references·0 citing·28 second hop
“Why Am I Black?” Gendering Hip-Hop, and Translocal Solidarities in Dubai (2014)“Why Am I Black?” Gendering Hip-Hop, and …Postcolonial Melancholia (2020)Postcolonial MelancholiaLanguages of Global Hip Hop (2012)Languages of Global Hip HopThe Intersectional Approach: Transforming the Academy through Race, Class, and Gender (2010)The Intersectional Approach: …Stare in the Darkness (2010)Stare in the DarknessHigh-rise Dubai urban entrepreneurialism and the technology of symbolic power (2010)High-rise Dubai urban entrepr…Black Girlhood Celebration toward a hip-hop feminist pedagogy (2009)Black Girlhood Celebration to…Total Chaos: The Art and Aesthetics of Hip-Hop (2007)Total Chaos: The Art and Aest…The Africanist aesthetic in global hip hop: power moves (2007)The Africanist aesthetic in g…Hip hop matters: politics, pop culture, and the struggle for the soul of a movement (2006)Hip hop matters: politics, po…Prophets of the hood: politics and poetics in hip hop (2005)Prophets of the hood: politic…Prophets of the Hood (2004)Prophets of the HoodThe African Diaspora in the Mediterranean Lands of Islam (2002)The African Diaspora in the M…Critical Race Theory: The Key Writings That Formed the Movement (1996)Critical Race Theory: The Key…Black Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Black Noise: Rap Music and Black Culture in Contemporary America (1995)Black Noise: Rap Music and Bl…Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment. (1992)Black Feminist Thought: Knowl…Serving Two Masters: Integration Ideals and Client Interests in School Desegregation Litigation (1976)Critical Race Methodology: Counter-Storytelling as an Analytical Framework for Education Research (2002)Whose culture has capital? A critical race theory discussion of community cultural wealth (2005)Inequality Regimes (2006)All that is solid melts into air : the experience of modernity (1995)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Collecting and Interpreting Qualitative Materials (2012)Toward a Field of Intersectionality Studies: Theory, Applications, and Praxis (2013)Language, Localization, and the Real: Hip-Hop and the Global Spread of Authenticity (2007)Framing and Reviewing Hip-Hop Educational Research (2009)Tweets, Tweeps, and Signifyin’ (2013)Cultural Competency as New Racism: An Ontology of Forgetting (2009)The Decolonizing Generation: (Race and) Theory in Anthropology since the Eighties (2016)Things We Could Design (2021)Dis-orienting rhythms: the politics of the new Asian dance music (1997)Youth and Cultural Practice (2002)Sexual Objectification in Music Videos: A Content Analysis Comparing Gender and Genre (2011)INTERSECTIONALITY UNDONE (2013)Intersectionality's Definitional Dilemmas (2015)What is and what is not positive body image? Conceptual foundations and construct definition (2015)The New Politics of Community (2010)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)Rap Music and the Empowerment of Today’s Youth: Evidence in Everyday Music Listening, Music Therapy, and Commercial Rap Music (2012)The Ecology of Games: Connecting Youth, Games and Learning (2009)European Others (2011)European Others: Queering Ethnicity in Postnational Europe (2011)
this work references cited by second hop

References

  • 1992Black Feminist Thought: Knowledge, Consciousness, and the Politics of Empowerment.19,442 cited
  • 1996Critical Race Theory: The Key Writings That Formed the Movement3,904 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,446 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America740 cited
  • 2020Postcolonial Melancholia541 cited
  • 2005Prophets of the hood: politics and poetics in hip hop511 cited
  • 2004Prophets of the Hood449 cited
  • 2006Hip hop matters: politics, pop culture, and the struggle for the soul of a movement366 cited
  • 2010The Intersectional Approach: Transforming the Academy through Race, Class, and Gender334 cited
  • 2007Total Chaos: The Art and Aesthetics of Hip-Hop219 cited
  • 2012Languages of Global Hip Hop209 cited
  • 2009Black Girlhood Celebration toward a hip-hop feminist pedagogy202 cited
  • 2002The African Diaspora in the Mediterranean Lands of Islam185 cited
  • 2010High-rise Dubai urban entrepreneurialism and the technology of symbolic power164 cited
  • 2010Stare in the Darkness157 cited
  • 2007

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

The Africanist aesthetic in global hip hop: power moves
153 cited

Cited by

No citing works inside the corpus for this window.