SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Horror and the Holocaust: Genre Elements in Schindler’s List and Psycho
8 references·1 citing·26 second hop
Horror and the Holocaust: Genre Elements in Schindler’s List and Psycho (2020)Horror and the Holocaust: Genre Elements …Men, Women, and Chain Saws: Gender in the Modern Horror Film (2015)Men, Women, and Chain Saws: G…Behind the Curtain: Making Music in Mumbai's Film Studios (2008)Behind the Curtain: Making Mu…Structure and Agency in the Holocaust: Daniel J. Goldhagen and His Critics (1998)Structure and Agency in the H…Projecting the Shadow: The Cyborg Hero in American Film (1995)Projecting the Shadow: The Cy…Carol J. Clover, Men, Women and Chainsaws: Gender in the Modern Horror Film; Barbara Creed, The Monstrous-Feminine: Film, Feminism and Psychoanalysis (1995)Carol J. Clover, Men, Women a…Psychological reflections on cinematic terror: Jungian archetypes in horror films (1994)Psychological reflections on …Ordinary men: Reserve Police Battalion 101 and the Final Solution in Poland (1992)Ordinary men: Reserve Police …The Philosophy of Horror or Paradoxes of the Heart. (1991)The Philosophy of Horror or P…Monsters, Perversion, and Enjoyment: Toward a Psychoanalytic Theory of Postmodern Horror (2007)Monsters, Perversion, and Enj…Écrits: A Selection (2001)The Monstrous-Feminine (2015)The need to belong: Desire for interpersonal attachments as a fundamental human motivation. (1995)Toward a Theory of Teacher Community (2001)The Logic of Violence in Civil War (2006)Vampires, Postmodernity, and Postfeminism:Buffy the Vampire Slayer (1999)Assessing the `Quality' in Qualitative Research (2003)Gender, Sexuality, and Toughness: The Bad Girls of Action Film and Comic Books (2004)A Cultural Approach to Television Genre Theory (2001)Simulating Minds (2006)Transparency and Self-Knowledge (2018)An antipodean genocide? The origins of the genocidal moment in the colonization of Australia (2000)Language and Agency (2001)Organized Mass Murder: Structure, Participation, and Motivation in Comparative Perspective (2008)New Media: A Critical Introduction (2003)“There’s nothing I hate more than a racist:” (Re)centering whiteness inAmerican Horror Story: Coven (2018)Horror, personality, and threat simulation: A survey on the psychology of scary media. (2018)Doing Things with Theory: From Freud's Worst Nightmare to (Disciplinary) Dreams of Horror's Cultural Value (2004)Foreword: “What Lies Beneath?” (2004)Horror Film and Psychoanalysis (2004)Evergreens to Remixes: Hindi Film Songs and India’s Popular Music Heritage (2009)Copyright Law and the Changing Economic Value of Popular Music in India (2015)Bollywood sounds: the cosmopolitan mediations of Hindi film song (2016)Civilized Colonialism:Pocahontasas Neocolonial Rhetoric (1996)Memory, war and American identity:Saving Private Ryanas cinematic jeremiad (2002)A Media Ecology Review (2004)
this work references cited by second hop

References

  • 1992Ordinary men: Reserve Police Battalion 101 and the Final Solution in Poland1,624 cited
  • 1991The Philosophy of Horror or Paradoxes of the Heart.647 cited
  • 2015Men, Women, and Chain Saws: Gender in the Modern Horror Film395 cited
  • 1995Projecting the Shadow: The Cyborg Hero in American Film84 cited
  • 1995Carol J. Clover, Men, Women and Chainsaws: Gender in the Modern Horror Film; Barbara Creed, The Monstrous-Feminine: Film, Feminism and Psychoanalysis73 cited
  • 1998Structure and Agency in the Holocaust: Daniel J. Goldhagen and His Critics71 cited
  • 1994Psychological reflections on cinematic terror: Jungian archetypes in horror films54 cited
  • 2008Behind the Curtain: Making Music in Mumbai's Film Studios47 cited

Cited by

  • 2007Monsters, Perversion, and Enjoyment: Toward a Psychoanalytic Theory of Postmodern Horror4 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work