Marion's Merry Resistance: Implications of Theatralization in Adam de la Halle's Le Jeu de Robin et Marion

Abstract

In Le Jeu de Robin et Marion , Adam de la Halle transforms the lyric pastourelle into theater. As a result of the material and temporal immediacy of theater, the primary feminine character gains a new type of power with respect to her fellow protagonists, the spectator, and the writer himself.

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