SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Social distance and the multimodal construction of the Other in sectarian song
16 references·1 citing·36 second hop
Social distance and the multimodal construction of the Other in sectarian song (2015)Social distance and the multimodal constr…The Social Distance Theory of Power (2013)The Social Distance Theory of…Analysing Popular Music: Image, Sound, Text (2010)Analysing Popular Music: Imag…Multimodal Metaphor (2009)Multimodal MetaphorIntroduction to Multimodal Analysis (2007)Introduction to Multimodal An…Echo and reverb: fabricating space in popular music recording, 1900-1960 (2006)Echo and reverb: fabricating …Echo and Reverb (2005)Echo and ReverbIntroducing Social Semiotics: An Introductory Textbook (2004)Introducing Social Semiotics:…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Speech, Music, Sound (1999)Speech, Music, SoundRethinking the Social Distance Corollary (1999)Rethinking the Social Distanc…In the Course of Performance: Studies in the World of Musical Improvisation (1999)In the Course of Performance:…Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music (1996)Forces, Containers, and Paths…Decolonizing tradition : new views of twentieth-century "British" literary canons (1992)Decolonizing tradition : new …The Social Self: On Being the Same and Different at the Same Time (1991)The Social Self: On Being the…The Hidden Dimension (1973)The Hidden DimensionRace, social class, religion, and nationality as determinants of social distance. (1960)Race, social class, religion,…From religious performances to martial themes (2019)From religious performances t…Perceived Persuasive Effects of Product Commercials and Public Service Announcements (1992)Biased Optimism and the Third-Person Effect (1993)Understanding the Third-Person Perception: Evidence From a Meta-Analysis (2008)Untrustworthy News and the Media as “Enemy of the People?” How a Populist Worldview Shapes Recipients’ Attitudes toward the Media (2018)Psychology of intergroup relations (1986)Rediscovering the Social Group: A Self‐Categorization Theory (1987)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Social Theory of International Politics (1999)Identity Theory and Social Identity Theory (2000)Social Identity and Self-Categorization Processes in Organizational Contexts (2000)Culture's Consequences: International Differences in Work-Related Values (1981)Cultures and Organizations: Software of the Mind. (1993)Interpersonal Power (2014)Perspectives on Power in Organizations (2014)Power: Past findings, present considerations, and future directions. (2014)The Metaphor of Musical Space (2003)Metaphor and music (2008)Let’s Talk Music: A Corpus-Based Account of Musical Motion (2014)Self-monitoring of expressive behavior. (1974)IEMOCAP: interactive emotional dyadic motion capture database (2008)Customer Experience Creation: Determinants, Dynamics and Management Strategies (2009)Metaphor, Gesture, and Thought (2008)Metaphors in editorial cartoons representing the global financial crisis (2011)Extended Conceptual Metaphor Theory (2020)Musical identities of professional jazz musicians: a focus group investigation (2005)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Descriptions of Improvisational Thinking by Artist-Level Jazz Musicians (2011)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Put to the test: For a new sociology of testing (2020)Expanding the four resources model: reading visual and multi-modal texts (2012)Multimodal content analysis: expanding analytical approaches to content analysis (2019)The Cambridge Handbook of Discourse Studies (2020)What is Authenticity? (2001)Doing anthropology in sound (2004)Anthropology and Voice (2014)
this work references cited by second hop

References

  • 1991The Social Self: On Being the Same and Different at the Same Time5,103 cited
  • 1973The Hidden Dimension4,860 cited
  • 2009Multimodal Metaphor815 cited
  • 1999Speech, Music, Sound673 cited
  • 2013The Social Distance Theory of Power620 cited
  • 2003The Cultural study of music: a critical introduction609 cited
  • 2007Introduction to Multimodal Analysis487 cited
  • 1999Rethinking the Social Distance Corollary220 cited
  • 1996Forces, Containers, and Paths: The Role of Body-Derived Image Schemas in the Conceptualization of Music215 cited
  • 1999In the Course of Performance: Studies in the World of Musical Improvisation202 cited
  • 1960Race, social class, religion, and nationality as determinants of social distance.156 cited
  • 2006Echo and reverb: fabricating space in popular music recording, 1900-1960148 cited
  • 2004Introducing Social Semiotics: An Introductory Textbook131 cited
  • 2010Analysing Popular Music: Image, Sound, Text126 cited
  • 2005Echo and Reverb118 cited
  • 1992Decolonizing tradition : new views of twentieth-century "British" literary canons

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

99 cited

Cited by

  • 2019From religious performances to martial themes3 cited