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Common-tone Tonality in Italian Romantic Opera
6 references·3 citing·25 second hop
Common-tone Tonality in Italian Romantic Opera (2008)Common-tone Tonality in Italian Romantic …Music and German National Identity (2003)Music and German National Ide…The Second Practice of Nineteenth-Century Tonality (1997)The Second Practice of Ninete…Analyzing opera: Verdi and Wagner (1990)Analyzing opera: Verdi and Wa…Principles of Formal Structure in Schumann's Early Piano Cycles (1989)Principles of Formal Structur…Rigoletto and Monterone : a Study in Musical Dramaturgy (1982)Rigoletto and Monterone : a S…Alternatives to Monotonality in Early Nineteenth-Century Music (1981)Alternatives to Monotonality …Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre (2021)Lyric Forms as “Performed” Sp…Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 12 (2015)Tonality and Mutability in Ra…Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works (2014)Modal Idioms and Their Rhetor…Classic Music: Expression, Form, and Style (1981)Style and music: theory, history, and ideology (1990)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Defining Russia Musically (1997)The New Grove dictionary of music and musicians (2001)The Classical Cadence: Conceptions and Misconceptions (2004)How To Do Things With Words (1975)Phrase Rhythm in Tonal Music (1991)Unsung Voices: Opera and Musical Narrative in the Nineteenth Century (1991)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)The Quest for the Origins of Music in Germany Circa 1900 (2000)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)Ironic Narrative, Ironic Reading (2009)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics (2005)Records of Inspiration (2016)Rethinking Schubert (2016)Elsa's reason: On beliefs and motives in Wagner'sLohengrin (2010)Divas and Divos (2015)The Cambridge Companion to Wagner's Der Ring des Nibelungen (2020)Cultural Globalization and Arts Journalism: The International Orientation of Arts and Culture Coverage in Dutch, French, German, and U.S. Newspapers, 1955 to 2005 (2008)Music, Culture and Social Reform in the Age of Wagner (2010)Nazi Soundscapes : Sound, Technology and Urban Space in Germany, 1933-1945 (2012)
this work references cited by second hop

References

  • 2003Music and German National Identity192 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
  • 1990Analyzing opera: Verdi and Wagner52 cited
  • 1989Principles of Formal Structure in Schumann's Early Piano Cycles32 cited
  • 1982Rigoletto and Monterone : a Study in Musical Dramaturgy22 cited

Cited by

  • 2014Modal Idioms and Their Rhetorical Associations in Rachmaninoff’s Works15 cited
  • 2021Lyric Forms as “Performed” Speech in Das Rheingold and Die Walküre4 cited
  • 2015Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 124 cited

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