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Instrumental teachers’ instructional strategies for facilitating children’s learning of expressive music performance: An exploratory study
16 references·16 citing·33 second hopsampled
Instrumental teachers’ instructional strategies for facilitating children’s learning of expressive music performance: An exploratory study (2016)Instrumental teachers’ instructional stra…What is good action research? (2010)What is good action research?Musical expression: an observational study of instrumental teaching (2008)Musical expression: an observ…Psychology for Musicians (2007)Psychology for MusiciansValuing Musical Participation (2006)Valuing Musical ParticipationPlay it again with feeling: Computer feedback in musical communication of emotions. (2006)Play it again with feeling: C…Bodily communication in musical performance (2005)Bodily communication in music…Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance (2003)Five Facets of Musical Expres…Analysis of interaction and learning in instrumental teaching (2003)Analysis of interaction and l…“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003)“Expressivity comes from with…Emotion, Imagery and Metaphor in the Acquisition of Musical Performance Skill (2002)Emotion, Imagery and Metaphor…Body Movement (2002)Body MovementLearning Expressivity in Music Performance: An Exploratory Study (2000)Learning Expressivity in Musi…Improving Emotional Communication in Music Performance through Cognitive Feedback (2000)Improving Emotional Communica…The young performing musician (1996)The young performing musicianThe Relative Effects of Guided Model, Model Only, Guide Only, and Practice Only Treatments on the Accuracy of Advanced Instrumentalists' Musical Performance (1984)The Relative Effects of Guide…The musical experience of the pre-school child (1976)The musical experience of the…Teaching to practice productively and consciously: an action-research study in one-to-one instrumental music teaching (2025)Teaching to practice producti…Interpretive autonomy at the heart of classical musicians’ learning and well-being: the role of professional education (2025)Interpretive autonomy at the …The efficacy of imagery-based instruction for expressive performance: a study of university musicians’ practice (2024)The efficacy of imagery-based…Autonomous or controlled interpreters? Model of Werktreue internalization for classical musicians (2024)Autonomous or controlled inte…The Effects of Sequence on Expressivity in Solo Singing of Young Voices (2023)The Effects of Sequence on Ex…Investigating trainee instrumental/vocal teachers’ perceptions of dialogic teaching: an exploratory study (2023)Investigating trainee instrum…Theoretical Framework for Facilitating Young Musicians’ Learning of Expressive Performance (2021)Theoretical Framework for Fac…Teaching and Learning of Piano Timbre Through Teacher–Student Interactions in Lessons (2021)Teaching and Learning of Pian…‘Taste the value of each note’: verbal teaching strategies in guitar masterclasses (2021)‘Taste the value of each note…Young Musicians' Learning of Expressive Performance: The Importance of Dialogic Teaching and Modeling (2020)Young Musicians' Learning of …Measuring the Impacts of Extra-Musical Elements in Guitar Music Playing: A Pilot Study (2020)Measuring the Impacts of Extr…Construcción de un instrumento de valoración de la expresividad musical en profesorado y alumnado en la Enseñanza Superior de Música (2020)Construcción de un instrument…‘Just notes’: Young musicians’ perspectives on learning expressive performance (2020)‘Just notes’: Young musicians…Comparison of beliefs about teaching and learning of emotional expression in music performance between Spanish and English HE students of music (2019)Comparison of beliefs about t…Teaching young musicians expressive performance: an experimental study (2018)Teaching young musicians expr…Conceptions about teaching and learning of expressivity in music among Higher Education teachers and students (2017)Conceptions about teaching an…Essay on the True Art of Playing Keyboard Instruments (1949)The Aesthetics of Music (1981)Philosophy of Music Education (2013)Emotion and Meaning in Music (1961)The Measurement of Observer Agreement for Categorical Data (1977)Music Performance Research at the Millennium (2003)Maladaptive and adaptive emotion regulation through music: a behavioral and neuroimaging study of males and females (2015)Rhythm, Music and Education (1921)Social Learning Theory. (1978)The Effects of Modeling, Self-Evaluation, and Self-Listening on Junior High Instrumentalists' Music Performance and Practice Attitude (2001)Traits of Effective Teachers (2006)Effective Practice (2007)Flow: the psychology of optimal experience (1990)Music in Everyday Life (2000)Towards a general model of skills involved in sight reading music (2008)Publication Manual of the American Psychological Association (2011)Rethinking Giftedness and Gifted Education (2011)Using musical agency as a lens: Researching music education from the angle of experience (2011)Literature review on the use of action research in higher education (2016)From data to value: A nine-factor framework for data-based value creation in information-intensive services (2017)Action Research and Systematic, Intentional Change in Teaching Practice (2019)Motivation and Engagement in Music and Sport: Testing a Multidimensional Framework in Diverse Performance Settings (2007)A comparison of modes of communication between members of a string quartet and a jazz sextet (2009)Emotion and Motivation in the Lives of Performers (2010)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Motivation and Engagement Across the Academic Life Span (2009)University students’ strong experiences of music (2011)Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance (2010)Reparative musicing: thinking on the usefulness of social capital theory within music therapy (2011)Knowing too little or too much: the effects of familiarity with a co-performer's part on interpersonal coordination in musical ensembles (2013)Inventing songs, inventing worlds: the ‘genesis’ of creative thought and activity in young children’s lives (2006)The teaching of music in the primary school by the non-music specialist (2006)Plugged In (2017)
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References

  • 2010What is good action research?524 cited
  • 2003Five Facets of Musical Expression: A Psychologist's Perspective on Music Performance254 cited
  • 2007Psychology for Musicians192 cited
  • 2003“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity174 cited
  • 2006Valuing Musical Participation170 cited
  • 1976The musical experience of the pre-school child167 cited
  • 2000Learning Expressivity in Music Performance: An Exploratory Study154 cited
  • 2002Body Movement130 cited
  • 2005Bodily communication in musical performance126 cited
  • 1984The Relative Effects of Guided Model, Model Only, Guide Only, and Practice Only Treatments on the Accuracy of Advanced Instrumentalists' Musical Performance120 cited
  • 2006Play it again with feeling: Computer feedback in musical communication of emotions.119 cited
  • 2002Emotion, Imagery and Metaphor in the Acquisition of Musical Performance Skill115 cited
  • 2000Improving Emotional Communication in Music Performance through Cognitive Feedback115 cited
  • 2008Musical expression: an observational study of instrumental teaching115 cited
  • 1996The young performing musician

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106 cited
  • 2003Analysis of interaction and learning in instrumental teaching104 cited
  • Cited by

    • 2020Young Musicians' Learning of Expressive Performance: The Importance of Dialogic Teaching and Modeling41 cited
    • 2019Comparison of beliefs about teaching and learning of emotional expression in music performance between Spanish and English HE students of music33 cited
    • 2021Theoretical Framework for Facilitating Young Musicians’ Learning of Expressive Performance31 cited
    • 2018Teaching young musicians expressive performance: an experimental study29 cited
    • 2017Conceptions about teaching and learning of expressivity in music among Higher Education teachers and students21 cited
    • 2021Teaching and Learning of Piano Timbre Through Teacher–Student Interactions in Lessons20 cited
    • 2020‘Just notes’: Young musicians’ perspectives on learning expressive performance8 cited
    • 2024Autonomous or controlled interpreters? Model of Werktreue internalization for classical musicians7 cited
    • 2025Teaching to practice productively and consciously: an action-research study in one-to-one instrumental music teaching6 cited
    • 2025Interpretive autonomy at the heart of classical musicians’ learning and well-being: the role of professional education6 cited
    • 2020Measuring the Impacts of Extra-Musical Elements in Guitar Music Playing: A Pilot Study4 cited
    • 2021‘Taste the value of each note’: verbal teaching strategies in guitar masterclasses4 cited
    • 2020Construcción de un instrumento de valoración de la expresividad musical en profesorado y alumnado en la Enseñanza Superior de Música3 cited
    • 2023The Effects of Sequence on Expressivity in Solo Singing of Young Voices3 cited
    • 2024The efficacy of imagery-based instruction for expressive performance: a study of university musicians’ practice2 cited
    • 2023Investigating trainee instrumental/vocal teachers’ perceptions of dialogic teaching: an exploratory study2 cited