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The color of music: Emotion-mediated associations to Bach’s Well-tempered Clavier.
16 references·1 citing·48 second hop
The color of music: Emotion-mediated associations to Bach’s Well-tempered Clavier. (2016)The color of music: Emotion-mediated asso…Music–color associations are mediated by emotion (2013)Music–color associations are …Audiovisual Cross-Modal Correspondences in the General Population (2013)Audiovisual Cross-Modal Corre…Enhanced memory ability: Insights from synaesthesia (2012)Enhanced memory ability: Insi…Crossmodal correspondences: A tutorial review (2011)Crossmodal correspondences: A…Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance (2010)Music to my eyes: Cross-modal…Grapheme–colour synaesthesia yields an ordinary rather than extraordinary memory advantage: Evidence from a group study (2010)Grapheme–colour synaesthesia …An ecological valence theory of human color preferences (2010)An ecological valence theory …Preverbal Infants’ Sensitivity to Synaesthetic Cross-Modality Correspondences (2009)Preverbal Infants’ Sensitivit…Do Synesthetes Have a General Advantage in Visual Search and Episodic Memory? A Case for Group Studies (2009)Do Synesthetes Have a General…Sound-Colour Synaesthesia: to What Extent Does it Use Cross-Modal Mechanisms Common to us All? (2006)Sound-Colour Synaesthesia: to…Synesthetic Color Experiences Influence Memory (2002)Synesthetic Color Experiences…Synesthesia-like Mappings of Lightness, Pitch, and Melodic Interval (1996)Synesthesia-like Mappings of …Stroop Interference Based on the Synaesthetic Qualities of Auditory Pitch (1984)Stroop Interference Based on …On colored-hearing synesthesia: Cross-modal translations of sensory dimensions. (1975)On colored-hearing synesthesi…the colors of emotion1 (1974)the colors of emotion1Inquiries into human faculty and its development. 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References

  • 2011Crossmodal correspondences: A tutorial review1,617 cited
  • 1919Inquiries into human faculty and its development.1,404 cited
  • 1975On colored-hearing synesthesia: Cross-modal translations of sensory dimensions.449 cited
  • 2006Sound-Colour Synaesthesia: to What Extent Does it Use Cross-Modal Mechanisms Common to us All?435 cited
  • 2013Music–color associations are mediated by emotion405 cited
  • 2009Preverbal Infants’ Sensitivity to Synaesthetic Cross-Modality Correspondences362 cited
  • 2010An ecological valence theory of human color preferences159 cited
  • 2013Audiovisual Cross-Modal Correspondences in the General Population149 cited
  • 1974the colors of emotion1148 cited
  • 2010Music to my eyes: Cross-modal interactions in the perception of emotions in musical performance139 cited
  • 2002Synesthetic Color Experiences Influence Memory133 cited
  • 1996Synesthesia-like Mappings of Lightness, Pitch, and Melodic Interval124 cited
  • 2012Enhanced memory ability: Insights from synaesthesia109 cited
  • 1984Stroop Interference Based on the Synaesthetic Qualities of Auditory Pitch89 cited
  • 2010Grapheme–colour synaesthesia yields an ordinary rather than extraordinary memory advantage: Evidence from a group study

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79 cited
  • 2009Do Synesthetes Have a General Advantage in Visual Search and Episodic Memory? A Case for Group Studies78 cited
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    • 2023Sensory translation between audition and vision38 cited