SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Music and cyberliberties
2 references·10 citing·40 second hop
Music and cyberliberties (2010)Music and cyberlibertiesMedia,Technology and Society (2002)Media,Technology and SocietyCyberlibertarian myths and the prospects for community (1997)Cyberlibertarian myths and th…Phenomenological Approaches in the History of Ethnomusicology (2023)Phenomenological Approaches i…Sonic Artefacts: "Record Collecting" in the Digital Age (2016)Sonic Artefacts: "Record Coll…Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry (2016)Regulating for creativity and…Phenomenological Approaches in the History of Ethnomusicology (2015)Phenomenological Approaches i…Copyright and musicians at the digital margins (2015)Copyright and musicians at th…Anti-Market Research: Piracy, New Media Metrics, and Commodity Communities (2015)Anti-Market Research: Piracy,…Turkey and the 'Copyleft' Music Production: Reflections on Bandista (2013)Turkey and the 'Copyleft' Mus…Copyright infringement online: The case of the Digital Economy Act judicial review in the United Kingdom (2013)Copyright infringement online…The origins and impacts of the Swedish filesharing movement: A case study (2011)The origins and impacts of th…Sharing music files: Tactics of a challenge to the industry (2010)Sharing music files: Tactics …Case Study Research: Design and Methods (1984)Life on the Screen: Identity in the Age of the Internet (1997)Advances in Consumer Research (2025)Sharing Nicely: On Shareable Goods and the Emergence of Sharing as a Modality of Economic Production (2004)Remix (2008)Remix: making art and commerce thrive in the hybrid economy (2009)Knowledge societies futures: destabilization in whose interest? (2013)Democratising media policymaking: a stakeholder-centric, systemic approach to copyright consultation (2021)The Politics of Nonviolent Action (1974)Injustice: The Social Bases of Obedience and Revolt, by Barrington Moore (1979)The Belief in a Just World: A Fundamental Delusion. (1982)Measuring the Effects of Social Media Participation on Political Party Communities (2012)Getting-to-know (2017)Digital, digitized, and numerical humanities (2018)Rethinking the music industry (2007)Digital opportunity: a review of intellectual property and growth (2011)Creative Labour: Media Work in Three Cultural Industries (2012)What Do Musicians Talk About When They Talk About Copyright? (2016)Distributed Ownership in Music (2017)From beats to bytes: electronic dance music, artificial intelligence and teen identity (2025)Outline of a Theory of Practice (1977)The Dialogic Imagination: Four Essays (1981)The Constitution of Society. Outline of the Theory of Structuration (1984)Knowledge Transmission in Javanese Karawitan: Is It Time for an Ontological Turn? (2020)Subculture: The Meaning of Style (1995)Capitalism, Socialism and Democracy (1997)Capitalism, Socialism and Democracy (2010)Extended Collective Licensing for the Use of Out-of-Commerce Works in Europe: A Matter of Legitimacy Vis-à-Vis Rights Holders (2018)The Use of Copyright in Digital Times: A Study of How Artists Exercise Their Rights in Norway (2019)License to stream? A study of how rights-holders have responded to music streaming services in Norway (2021)Risk Society, Towards a New Modernity (1994)Individualization: Institutionalized Individualism and its Social and Political Consequences (2002)Modernization, cultural change, and democracy the human development sequence (2005)Science in Action: How to Follow Scientists and Engineers through Society (1988)Real-Time Politics: The Internet and the Political Process (2002)UK children go online: surveying the experiences of young people and their parents (2004)Interactivity in the daily routines of online newsrooms: dealing with an uncomfortable myth (2008)AGAINST NORMALISATION: Subverting Norms of Ability and Disability (2000)Computer ethics in a different voice (2001)Data as oil, infrastructure or asset? Three metaphors of data as economic value (2019)
this work references cited by second hop

References

  • 2002Media,Technology and Society349 cited
  • 1997Cyberlibertarian myths and the prospects for community138 cited

Cited by

  • 2010Sharing music files: Tactics of a challenge to the industry46 cited
  • 2016Regulating for creativity and cultural diversity: the case of collective management organisations and the music industry26 cited
  • 2013Copyright infringement online: The case of the Digital Economy Act judicial review in the United Kingdom26 cited
  • 2015Copyright and musicians at the digital margins17 cited
  • 2015Phenomenological Approaches in the History of Ethnomusicology9 cited
  • 2011The origins and impacts of the Swedish filesharing movement: A case study9 cited
  • 2015Anti-Market Research: Piracy, New Media Metrics, and Commodity Communities7 cited
  • 2023Phenomenological Approaches in the History of Ethnomusicology6 cited
  • 2016Sonic Artefacts: "Record Collecting" in the Digital Age6 cited
  • 2013Turkey and the 'Copyleft' Music Production: Reflections on Bandista3 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work