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The Only Black Man at the Party: Joni Mitchell Enters the Rock Canon
0 references·15 citing·18 second hop
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  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
  • 2016Musical gesture in the songs of Nick Drake14 cited
  • 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited
  • 2016The emergence of the singer-songwriter6 cited
  • 2013Said the Hooker to the Thief: “Some Way Out” of Rockism6 cited
  • 2016The Brill Building and the creative labour of the professional songwriter4 cited
  • 2016Singer-songwriters and fandom in the digital age4 cited
  • 2016The ‘professional’ singer-songwriter in the 1970s4 cited
  • 2016Sampling and storytelling: Kanye West’s vocal and sonic narratives4 cited
  • 2016Reconciling theory with practice in the teaching of songwriting4 cited
  • 2023“Both Sides Now”: Folk-Rock Authorship, Interpretation, and the Cover Version2 cited
  • 2016Region and identity in Dolly Parton’s songwriting2 cited
  • 2016Outside voices and the construction of Adele’s singer-songwriter persona2 cited
  • 2016Italian canzone d’autore and Greek entechno tragoudi: a comparative overview

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2 cited