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Abstract This essay examines the ways that Lord Byron’s Don Juan engages both the novel’s and the lyric’s claims to truth and virtue, thus setting up the maneuvers that would later be exploited by the Victorian verse novel.
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Stored only when both papers are in the corpus — 16 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.